| The first excerpt represents the past or something you must release, and is drawn from Droll Stories, V. 1 by Honore de Balzac: fretting like a child let loose from school, you should pray to the
virgin, sleep on a hard board, attend to your household duties, and
never be idle."
"Ah! my father, when I am at church in my seat, I see neither the
priest nor the altar, only the infant Jesus, who brings the thing into
my head. But to finish, if my head is turned and my mind wanders, I am
in the lime-twigs of love."
"If thus you were," said the abbot, imprudently, "you would be in the
position of Saint Lidoire, who in a deep sleep one day, one leg here
and one leg there, through the great heat and scantily attired, was
approached by a young man full of mischief, who dexterously seduced
 Droll Stories, V. 1 |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Warlord of Mars by Edgar Rice Burroughs: Pit of Plenty, and the day he dies Dejah Thoris shall become my queen."
I did not hear her reply, for it was then that a blow upon my
head brought unconsciousness, and when I recovered my senses only
a handful of guardsmen remained in the audience chamber with me.
As I opened my eyes they goaded me with the points of their swords
and bade me rise.
Then they led me through long corridors to a court far toward the
center of the palace.
 The Warlord of Mars |
The third excerpt represents the future or something you must embrace, and is drawn from Intentions by Oscar Wilde: those subtle and poisonous curves. Do you ask me what Lionardo
would have said had any one told him of this picture that 'all the
thoughts and experience of the world had etched and moulded therein
that which they had of power to refine and make expressive the
outward form, the animalism of Greece, the lust of Rome, the
reverie of the Middle Age with its spiritual ambition and
imaginative loves, the return of the Pagan world, the sins of the
Borgias?' He would probably have answered that he had contemplated
none of these things, but had concerned himself simply with certain
arrangements of lines and masses, and with new and curious colour-
harmonies of blue and green. And it is for this very reason that
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