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Today's Stichomancy for Martin Luther King Jr.

The first excerpt represents the past or something you must release, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

upon her veracity.

Enter MISS HARDCASTLE.

HARDCASTLE. Kate, come hither, child. Answer us sincerely and without reserve: has Mr. Marlow made you any professions of love and affection?

MISS HARDCASTLE. The question is very abrupt, sir. But since you require unreserved sincerity, I think he has.

HARDCASTLE. (To SIR CHARLES.) You see.

SIR CHARLES. And pray, madam, have you and my son had more than one interview?

MISS HARDCASTLE. Yes, sir, several.


She Stoops to Conquer
The second excerpt represents the present or the deciding factor of the moment, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

of the sash window. The icy air of the courtyard came in to cool the hot atmosphere of the little room, full of the odor peculiar to offices.

The merchant remained standing, his hand resting on the greasy arm of a large cane chair lined with morocco, of which the original hue had disappeared; he seemed to hesitate as to seating himself. He looked with affection at the double desk, where his wife's seat, opposite his own, was fitted into a little niche in the wall. He contemplated the numbered boxes, the files, the implements, the cash box--objects all of immemorial origin, and fancied himself in the room with the shade of Master Chevrel. He even pulled out the high stool on which he had

The third excerpt represents the future or something you must embrace, and is drawn from Study of a Woman by Honore de Balzac:

afternoon of that day, her waiting-maid, Caroline, gave her a letter which she read while Caroline was doing her hair (an imprudence which many young women are thoughtless enough to commit).

"Dear angel of love," said the letter, "treasure of my life and happiness--"

At these words the marquise was about to fling the letter in the fire; but there came into her head a fancy--which all virtuous women will readily understand--to see how a man who began a letter in that style could possibly end it. When she had turned the fourth page and read it, she let her arms drop like a person much fatigued.

"Caroline, go and ask who left this letter."