| The first excerpt represents the past or something you must release, and is drawn from Tom Sawyer, Detective by Mark Twain: I says to myself, if he finds out I'm aboard this boat,
he's got me like a rat in a trap. All he's got to do is
to have me watched, and wait--wait till I slip ashore,
thinking he is a thousand miles away, then slip after
me and dog me to a good place and make me give up
the di'monds, and then he'll--oh, I know what he'll
do! Ain't it awful--awful! And now to think the OTHER
one's aboard, too! Oh, ain't it hard luck, boys--ain't it
hard! But you'll help save me, WON'T you?--oh, boys,
be good to a poor devil that's being hunted to death,
and save me--I'll worship the very ground you walk on!"
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift: Montaigne, and another by the late Bishop of Salisbury. From all
which it appears, that this system of male and female has already
undergone and may hereafter suffer, several alterations. Every
smatterer in anatomy knows, that a woman is but an introverted
man; a new fusion and flatus will turn the hollow bottom of a
bottle into a convexity; but I forbear, (for the sake of my
modest men-readers, who are in a few days to be virgins.)
In some subjects, the smallest alterations will do: some men are
sufficiently spread about the hips, and contriv'd with female
softness, that they want only the negative quantity to make them
buxom wenches; and there are women who are, as it were, already
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The third excerpt represents the future or something you must embrace, and is drawn from Twilight Land by Howard Pyle: clock in the tower went on--tick, tock! tick, tock!--and by and
by it came midnight. Then, as it always happened before, the
lights went out, and all was as black as ink. But this time there
was no wailing and crying out, but everything was silent as
death; the door opened slowly, and in came, not six black men as
before, but nine men as silent as death, dressed all in flaming
red, and the torches they carried burned as red as blood. They
took King Selim by the arms, just as the six men had done, and
marched him through the same entries and passageways, and so came
at last to the same vaulted room. There stood the statue, but now
it was turned to flesh and blood, and the eyes were open and
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