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Today's Stichomancy for Martin Scorsese

The first excerpt represents the past or something you must release, and is drawn from The Village Rector by Honore de Balzac:

kiosk, made like those on the Bosphorus, and placed on a point of the island from which the eye could reach to the farther lake beyond. From this spot Madame Graslin thought she saw her son Francis near the nursery-ground formerly planted by Farrabesche. She looked again, but did not see him; and Monsieur Ruffin pointed him out to her, playing on the bank with Grossetete's children. Veronique became alarmed lest he should meet with some accident. Not listening to remonstrance, she ran down from the kiosk, and jumping into a boat, began to row toward her son. This little incident caused a general departure. Monsieur Grossetete proposed that they should all follow her and walk on the beautiful shore of the lake, along the curves of the mountainous

The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Episode Under the Terror by Honore de Balzac:

his face, would have disarmed a murderer. For a moment the mysterious stranger, who had brought an element of excitement into lives of misery and resignation, gazed at the little group; then he turned to the priest and said, as if making a confidence, "Father, I came to beg you to celebrate a mass for the repose of the soul of--of--of an august personage whose body will never rest in consecrated earth----"

Involuntarily the abbe shivered. As yet, neither of the Sisters understood of whom the stranger was speaking; they sat with their heads stretched out and faces turned towards the speaker, curiosity in their whole attitude. The priest meanwhile, was scrutinizing the stranger; there was no mistaking the anxiety in the man's face, the

The third excerpt represents the future or something you must embrace, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson:

most unlikely situations; and this, among others, of the patrician ravisher, was one he had familiarly studied. Strange as it may seem, however, he could find no apposite remark; and as the lady, on her side, vouchsafed no further sign, they continued to drive in silence through the streets. Except for alternate flashes from the passing lamps, the carriage was plunged in obscurity; and beyond the fact that the fittings were luxurious, and that the lady was singularly small and slender in person, and, all but one gloved hand, still swathed in her costly veil, the young man could decipher no detail of an inspiring nature. The suspense