The first excerpt represents the past or something you must release, and is drawn from The Village Rector by Honore de Balzac: kiosk, made like those on the Bosphorus, and placed on a point of the
island from which the eye could reach to the farther lake beyond. From
this spot Madame Graslin thought she saw her son Francis near the
nursery-ground formerly planted by Farrabesche. She looked again, but
did not see him; and Monsieur Ruffin pointed him out to her, playing
on the bank with Grossetete's children. Veronique became alarmed lest
he should meet with some accident. Not listening to remonstrance, she
ran down from the kiosk, and jumping into a boat, began to row toward
her son. This little incident caused a general departure. Monsieur
Grossetete proposed that they should all follow her and walk on the
beautiful shore of the lake, along the curves of the mountainous
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Episode Under the Terror by Honore de Balzac: his face, would have disarmed a murderer. For a moment the mysterious
stranger, who had brought an element of excitement into lives of
misery and resignation, gazed at the little group; then he turned to
the priest and said, as if making a confidence, "Father, I came to beg
you to celebrate a mass for the repose of the soul of--of--of an
august personage whose body will never rest in consecrated earth----"
Involuntarily the abbe shivered. As yet, neither of the Sisters
understood of whom the stranger was speaking; they sat with their
heads stretched out and faces turned towards the speaker, curiosity in
their whole attitude. The priest meanwhile, was scrutinizing the
stranger; there was no mistaking the anxiety in the man's face, the
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The third excerpt represents the future or something you must embrace, and is drawn from The Dynamiter by Robert Louis Stevenson and Fanny Van De Grift Stevenson: most unlikely situations; and this, among others, of the
patrician ravisher, was one he had familiarly studied.
Strange as it may seem, however, he could find no apposite
remark; and as the lady, on her side, vouchsafed no further
sign, they continued to drive in silence through the streets.
Except for alternate flashes from the passing lamps, the
carriage was plunged in obscurity; and beyond the fact that
the fittings were luxurious, and that the lady was singularly
small and slender in person, and, all but one gloved hand,
still swathed in her costly veil, the young man could
decipher no detail of an inspiring nature. The suspense
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