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Today's Stichomancy for Matt Damon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Goriot by Honore de Balzac:

What! I have worked hard for forty years, carried sacks on my back, and sweated and pinched and saved all my life for you, my darlings, for you who made the toil and every burden borne for you seem light; and now, my fortune, my whole life, is to vanish in smoke! I should die raving mad if I believed a word of it. By all that's holiest in heaven and earth, we will have this cleared up at once; go through the books, have the whole business looked thoroughly into! I will not sleep, nor rest, nor eat until I have satisfied myself that all your fortune is in existence. Your money is settled upon you, God be thanked! and, luckily, your attorney, Maitre Derville, is an honest man. Good Lord! you shall


Father Goriot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Unseen World and Other Essays by John Fiske:

craftily upholding his author in his deistical assault upon Christian theology. The accusation was unjust, because untrue. There could be no genuine cooperation between a mere iconoclast like Reimarus, and a constructive critic like Lessing. But the confusion was not an unnatural one on Goetze's part, and I cannot agree with M. Fontanes in taking it as convincing proof of the pastor's wrong-headed perversity. It appears to me that Goetze interpreted Lessing's position quite as accurately as M. Fontanes. The latter writer thinks that Lessing was a Christian of the liberal school since represented by Theodore Parker in this country and by M. Reville in France; that his real object


The Unseen World and Other Essays
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Apology by Plato:

Meletus is lying.'

This is about all that he has to say. He will not entreat the judges to spare his life; neither will he present a spectacle of weeping children, although he, too, is not made of 'rock or oak.' Some of the judges themselves may have complied with this practice on similar occasions, and he trusts that they will not be angry with him for not following their example. But he feels that such conduct brings discredit on the name of Athens: he feels too, that the judge has sworn not to give away justice; and he cannot be guilty of the impiety of asking the judge to break his oath, when he is himself being tried for impiety.

As he expected, and probably intended, he is convicted. And now the tone

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sons and Lovers by D. H. Lawrence:

brought the tears almost to his eyes. One day he stood behind her as she sang. Annie was playing a song on the piano. As Miriam sang her mouth seemed hopeless. She sang like a nun singing to heaven. It reminded him so much of the mouth and eyes of one who sings beside a Botticelli Madonna, so spiritual. Again, hot as steel, came up the pain in him. Why must he ask her for the other thing? Why was there his blood battling with her? If only he could have been always gentle, tender with her, breathing with her the atmosphere of reverie and religious dreams, he would give his right hand. It was not fair to hurt her. There seemed an eternal maidenhood about her; and when he thought of her mother, he saw the great


Sons and Lovers