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Today's Stichomancy for Matt Damon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Egmont by Johann Wolfgang Von Goethe:

ACT II

SCENE I.--Square in Brussels

Jetter and a Master Carpenter (meeting)

Carpenter. Did I not tell you beforehand? Eight days ago, at the guild, I said there would be serious disturbances?

Jetter. Is it, then, true that they have plundered the churches in Flanders?

Carpenter. They have utterly destroyed both churches and chapels. They have left nothing standing but the four bare walls. The lowest rabble! And this it is that damages our good cause. We ought rather to have laid our claims before the Regent, formally and decidedly, and then have stood by them. If we speak now, if we assemble now, it will be said that we are


Egmont
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wrong Box by Stevenson & Osbourne:

the recall of Mr Bloomfield's allowance would revolutionize them still more radically. He had not the least desire to acquaint himself with law; he had looked into it already, and it seemed not to repay attention; but upon this also he was ready to give way. In fact, he would go as far as he could to meet the views of his uncle, the Squirradical. But there was one part of the programme that appeared independent of his will. How to get a brief? there was the question. And there was another and a worse. Suppose he got one, should he prove the better man?

Suddenly he found his way barred by a crowd. A garishly illuminated van was backed against the kerb; from its open stern,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

"You will readily understand, my friend, that I returned to society for the purpose of excitement and I may say of notoriety. I felt that I must conquer my independence. I led a life of dissipation. To divert my mind, to forget my real life in fictitious enjoyments I was gay, I shone, I gave fetes, I played the princess, and I ran in debt. At home I could forget myself in the sleep of weariness, able to rise the next day gay, and frivolous for the world; but in that sad struggle to escape my real life I wasted my fortune. The revolution of 1830 came; it came at the very moment when I had met, at the end of that Arabian Nights' life, a pure and sacred love which (I desire to be honest) I had longed to know. Was it not natural in a woman whose heart,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Two Poets by Honore de Balzac:

problem. Such a man would be the phoenix of sons-in-law.

To M. de Negrepelisse pondering over the eligible bachelors of the province with these double requirements in his mind. M. de Bargeton seemed to be the only one who answered to this description. M. de Bargeton, aged forty, considerably shattered by the amorous dissipations of his youth, was generally held to be a man of remarkably feeble intellect; but he had just the exact amount of commonsense required for the management of his fortune, and breeding sufficient to enable him to avoid blunders or blatant follies in society in Angouleme. In the bluntest manner M. de Negrepelisse pointed out the negative virtues of the model husband designed for his