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Today's Stichomancy for Mel Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

But what riveted the girl's attention even more than the fabulous treasure of decorations were the files of gorgeously harnessed warriors who sat their thoats in grim silence and immobility on either side of the central aisle, rank after rank of them to the farther walls, and as the party passed between them she could not note so much as the flicker of an eyelid, or the twitching of a thoat's ear.

"The Hall of Chiefs," whispered one of her guard, evidently noting her interest. There was a note of pride in the fellow's voice and something of hushed awe. Then they passed through a great doorway into the chamber beyond, a large, square room in


The Chessmen of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rinkitink In Oz by L. Frank Baum:

fortune, however, and my heart is bubbling with joy, for in this boat I will return at once to my City of Gilgad, from which I have remained absent altogether too long a time."

"I do not wish to go to Gilgad," said Inga.

"That is too bad, my friend, for you would be very welcome. But you may remain upon this island, if you wish," continued Rinkitink, "and when I get home I will send some of my people to rescue you."

"It is my boat, Your Majesty," said Inga quietly.

"May be, may be," was the careless answer, "but I am


Rinkitink In Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herodias by Gustave Flaubert:

not my fault if he remains in his dungeon."

The courtyard was empty. The slaves were sleeping. The day was drawing to a close, and the sunset spread a deep rosy glow over the horizon, against which the smallest objects stood out like silhouettes. Antipas was able to distinguish the excavations of the salt-mines at the farther end of the Dead Sea, but the tents of the Arabs were no longer visible. As the moon rose, the effect of the day's excitement passed away, and a feeling of peace entered his heart.

Phanuel, also wearied by the recent agitating scenes, remained beside the tetrarch. He sat in silence for some time, his chin resting on his breast. At last he spoke in confidence to Antipas, and revealed what


Herodias
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Apology by Xenophon:

and on the public altars; and so might Meletus himself, if he had wished. And as to novel divinities, how, pray, am I supposed to introduce them by stating that I have a voice[21] from God which clearly signifies to me what I ought do do? Why, what else do those who make use of the cries of birds or utterences of men draw their conclusions from if not from voices? Who will deny that the thunder has a voice and is a very mighty omen;[22] and the priestess on her tripod at Pytho,[23] does not she also proclaim by voice the messages from the god? The god, at any rate, has foreknowledge, and premonishes those whom he will of what is about to be. That is a thing which all the world believes and asserts even as I do. Only, when they describe


The Apology