Today's Stichomancy for Mel Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from God The Invisible King by H. G. Wells:

a nearly cosmopolitan tolerance. And he has his tribe about him. He is not, as Professor Murray seems to suggest, a solitary LOST gregarious beast. Why should his desire for God be regarded as the overflow of an unsatisfied gregarious instinct, when he has home, town, society, companionship, trade union, state, INCREASINGLY at hand to glut it? Why should gregariousness drive a man to God rather than to the third-class carriage and the public-house? Why should gregariousness drive men out of crowded Egyptian cities into the cells of the Thebaid? Schopenhauer in a memorable passage (about the hedgehogs who assembled for warmth) is flatly opposed to Professor Murray, and seems far more plausible when he declares that

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

since there will still be those among them who can never rise. It is all right to raid the Galu country occasionally for plunder, as our people do; but to attempt to conquer it and hold it is madness. For my part, I have been content to wait until the call came to me. I feel that it cannot now be long."

"What is your name?" asked Ajor.

"Chal-az, " replied the man.

"You are chief of the Kro-lu?" Ajor continued.

"No, it is Al-tan who is chief of the Kro-lu of the east," answered Chal-az.

"And he is against this plan to invade my father's country?"

The People That Time Forgot

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Fisherman's Luck by Henry van Dyke:

offensive monotony of polite concurrence, and makes things lively. But quarrelsomeness is quite another affair, and very fatal.

I am always a little uneasy in a discourse with the Reverend Bellicosus Macduff. It is like playing golf on links liable to earthquakes. One never knows when the landscape will be thrown into convulsions. Macduff has a tendency to regard a difference of opinion as a personal insult. If he makes a bad stroke he seems to think that the way to retrieve it is to deliver the next one on the head of the other player. He does not tarry for the invitation to lay on; and before you know what has happened you find yourself in a position where you are obliged to cry, "Hold, enough!" and to be

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Another Study of Woman by Honore de Balzac:

roundness of the chin is accentuated by a line of light. If she has a pretty foot, she will throw herself on a sofa with the coquettish grace of a cat in the sunshine, her feet outstretched without your feeling that her attitude is anything but the most charming model ever given to a sculptor by lassitude.

"Only the perfect lady is quite at her ease in full dress; nothing inconveniences her. You will never see her, like the woman of the citizen class, pulling up a refractory shoulder-strap, or pushing down a rebellious whalebone, or looking whether her tucker is doing its office of faithful guardian to two treasures of dazzling whiteness, or glancing in the mirrors to see if her head-dress is keeping its place.