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Today's Stichomancy for Meyer Lansky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

world says, nothing to complain of Little Eva's fancy for him--the instinctive gratitude and loveliness of a noble nature--had led her to petition her father that he might be her especial attendant, whenever she needed the escort of a servant, in her walks or rides; and Tom had general orders to let everything else go, and attend to Miss Eva whenever she wanted him,--orders which our readers may fancy were far from disagreeable to him. He was kept well dressed, for St. Clare was fastidiously particular on this point. His stable services were merely a sinecure, and consisted simply in a daily care and inspection, and directing an under-servant in his duties; for Marie St. Clare declared that she


Uncle Tom's Cabin
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Exiles by Honore de Balzac:

throbbing mass, and scrutinized the stranger with a look. Then, spurred on, no doubt, by the presence of this remarkable personage, he added these words, from which I have eliminated the corrupt Latinity of the Middle Ages:--

"Where, think you, may a man find these fruitful truths if not in the heart of God Himself?--What am I?--The humble interpreter of a single line left to us by the greatest of the Apostles--a single line out of thousands all equally full of light. Before us, Saint Paul said, '/In Deo vivimus movemur et sumus/.' In our day, less believing and more learned, or better instructed and more sceptical, we should ask the Apostle, 'To what end this perpetual motion? Whither leads this life

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Enemies of Books by William Blades:

it of leaves at the beginning or end, which the binder's wisdom has thought useless. Oh! the havoc I have seen committed by binders. You may assume your most impressive aspect--you may write down your instructions as if you were making your last will and testament-- you may swear you will not pay if your books are ploughed--'tis all in vain-- the creed of a binder is very short, and comprised in a single article, and that article is the one vile word "Shavings." But not now will I follow this depressing subject; binders, as enemies of books, deserve, and shall have, a whole chapter to themselves.

It is much easier to decry gas than to find a remedy. Sun lights require especial arrangements, and are very expensive

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays & Lectures by Oscar Wilde:

colourless atmosphere as I have seen many of the American schools of design, but give them beautiful surroundings. Because you want to produce a permanent canon and standard of taste in your workman, he must have always by him and before him specimens of the best decorative art of the world, so that you can say to him: 'This is good work. Greek or Italian or Japanese wrought it so many years ago, but it is eternally young because eternally beautiful.' Work in this spirit and you will be sure to be right. Do not copy it, but work with the same love, the same reverence, the same freedom of imagination. You must teach him colour and design, how all beautiful colours are graduated colours and glaring colours the