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Today's Stichomancy for Michael Jackson

The first excerpt represents the past or something you must release, and is drawn from Far From the Madding Crowd by Thomas Hardy:

from the rotten ears seemed to arouse Boldwood, and he one evening sent for Oak. Whether it was sug- gested by Bathsheba's recent act of promotion or not, the farmer proposed at the interview that Gabriel should undertake the superintendence of the Lower Farm as well as of Bathsheba's, because of the necessity Boldwood felt for such aid, and the impossibility of discovering a more trustworthy man. Gabriel's malig- nant star was assuredly setting fast. Bathsheba, when she learnt of this proposal-for Oak was obliged to consult her -- at first languidly


Far From the Madding Crowd
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Art of War by Sun Tzu:

lamenting. Somebody asked her, saying: 'Why do you cry? Your son is only a common soldier, and yet the commander-in-chief himself has sucked the poison from his sore.' The woman replied, 'Many years ago, Lord Wu performed a similar service for my husband, who never left him afterwards, and finally met his death at the hands of the enemy. And now that he has done the same for my son, he too will fall fighting I know not where.'" Li Ch`uan mentions the Viscount of Ch`u, who invaded the small state of Hsiao during the winter. The Duke of Shen said to him: "Many of the soldiers are suffering severely from the cold." So he made a round of the whole army, comforting and encouraging the men; and


The Art of War
The third excerpt represents the future or something you must embrace, and is drawn from Anna Karenina by Leo Tolstoy:

conversation with Levin. But Levin, as he talked to his brother, was continually looking round at Vronsky, trying to think of something to say to him to gloss over his rudeness.

"What are we waiting for now?" asked Levin, looking at Sviazhsky and Vronsky.

"For Snetkov. He has to refuse or to consent to stand," answered Sviazhsky.

"Well, and what has he done, consented or not?"

"That's the point, that he's done neither," said Vronsky.

"And if he refuses, who will stand then?" asked Levin, looking at Vronsky.


Anna Karenina