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Today's Stichomancy for Michael Jackson

The first excerpt represents the past or something you must release, and is drawn from Beauty and The Beast by Bayard Taylor:

It was nevertheless singular that Otto should be without money, so soon after the appropriation of Count Kasincsky's funds. If the "20" in the first memorandum on the leaf meant "twenty thousand rubles," as I conjectured, and but four thousand two hundred were drawn by the Count previous to his flight or imprisonment, Otto's half of the remainder would amount to nearly eight thousand rubles; and it was, therefore, not easy to account for his delay in Leipzig, and his destitute condition.

Before examining the fragments relating to the American phase of his life,--which illustrated his previous history only by occasional revelations of his moods and feelings,--I made one more

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Hermione's Little Group of Serious Thinkers by Don Marquis:

a vegetarian, too!

I suppose to be on the safe side one should eat nothing but minerals.

But, of course, advanced thinkers will have to take the matter up seriously and discover a way out -- some day we will live on aromas and elec- tricity, no doubt.

Don't you think the world is getting kinder? A hundred years ago, for instance, no one would have cared whether plans suffer pain or not -- people wouldn't have given it a second though, you know.

The third excerpt represents the future or something you must embrace, and is drawn from The Master Key by L. Frank Baum:

"Your business, Monsieur Joslyn!"

Rob drew the Record from his pocket and placed it upon the table.

"This, sir," said he, "is an electrical device that records all important events. I wish to call your attention to a scene enacted in Paris last evening which may have an effect upon the future history of your country."

He opened the lid, placed the Record so that the President could see clearly, and then watched the changing expressions upon the great man's face; first indifference, then interest, the next moment eagerness and amazement.

"MON DIEU!" he gasped; "the Orleanists!"


The Master Key