| The first excerpt represents the past or something you must release, and is drawn from The Amazing Interlude by Mary Roberts Rinehart: to a meeting and in businesslike fashion explained the Red Cross
dressings and gave a lesson in bandaging. Forerunner of the many
first-aid classes to come was that hour of Mabel's, and made memorable
by one thing she said.
"You might as well all get busy and learn to do such things," she stated
in her brisk voice. "One of our internes is over there, and he says
we'll be in it before spring."
After the meeting Sara Lee went up to Mabel and put a hand on her arm.
"Are you going?" she asked.
"Leaving day after to-morrow. Why?"
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Patchwork Girl of Oz by L. Frank Baum: the boy.
"Very. They are really delicious. But the
farmers did not like to lose their bees and so
they tried to destroy me. Of course they couldn't
do that."
"Why not?"
"My skin is so thick and tough that nothing can
get through it to hurt me. So, finding they could
not destroy me, they drove me into this forest and
built a fence around me. Unkind, wasn't it?"
"But what do you eat now?" asked Ojo.
The Patchwork Girl of Oz |
The third excerpt represents the future or something you must embrace, and is drawn from Verses 1889-1896 by Rudyard Kipling: An' the Captain waved a corkscrew in 'is 'and.
~But the Captain 'ad 'is jacket, etc.~
THE 'EATHEN
The 'eathen in 'is blindness bows down to wood an' stone;
Verses 1889-1896 |
