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Today's Stichomancy for Michael Moore

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of Writing by Robert Louis Stevenson:

pattern of sounds in time; or, in other words, of sounds and pauses. Communication may be made in broken words, the business of life be carried on with substantives alone; but that is not what we call literature; and the true business of the literary artist is to plait or weave his meaning, involving it around itself; so that each sentence, by successive phrases, shall first come into a kind of knot, and then, after a moment of suspended meaning, solve and clear itself. In every properly constructed sentence there should be observed this knot or hitch; so that (however delicately) we are led to foresee, to expect, and then to welcome the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pupil by Henry James:

it, but looked with intelligent innocent eyes at Pemberton, who had already had time to notice that from one moment to the other his small satiric face seemed to change its time of life. At this moment it was infantine, yet it appeared also to be under the influence of curious intuitions and knowledges. Pemberton rather disliked precocity and was disappointed to find gleams of it in a disciple not yet in his teens. Nevertheless he divined on the spot that Morgan wouldn't prove a bore. He would prove on the contrary a source of agitation. This idea held the young man, in spite of a certain repulsion.

"You pompous little person! We're not extravagant!" Mrs. Moreen

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from One Basket by Edna Ferber:

But they asked no questions, these two. They evinced no curiosity about this disheveled creature who had flung herself in upon their decent solitude.

Tessie stared at the fire. She looked up at Old Man Hatton's face and opened her lips. She looked down and shut them again. Then she flashed a quick look at Angie, to see if she could detect there some suspicion, some disdain. None. Angie Hatton looked--well, Tessie put it to herself, thus: "She looks like she'd cried till she couldn't cry no more--only inside."

And then, surprisingly, Tessie began to talk. "I wouldn't never have gone with this fella, only Chuck, he was gone. All the


One Basket
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Youth by Joseph Conrad:

of my berth. It opened right into my very bed, and I was lying there sleepless, in my boots, feeling as though I had not slept for years, and could not if I tried. He said excitedly--

"'You got the sounding-rod in here, Marlow? I can't get the pumps to suck. By God! it's no child's play.'

"I gave him the sounding-rod and lay down again, trying to think of various things--but I thought only of the pumps. When I came on deck they were still at it, and my watch relieved at the pumps. By the light of the lantern brought on deck to examine the sounding-


Youth