| The first excerpt represents the past or something you must release, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain: shouted:
"Transvaaltruppentropentransporttrampelthier-
treibertrauungsthraenentragoedie!"
-- and lit up the green fire! After waiting only forty
seconds this time, I spread my arms abroad and
thundered out the devastating syllables of this word of
words:
"Mekkamuselmannenmassenmenchenmoerdermohrenmutter-
marmormonumentenmacher!"
-- and whirled on the purple glare! There they were,
all going at once, red, blue, green, purple! -- four
A Connecticut Yankee in King Arthur's Court |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Blix by Frank Norris: feeling when listening to music. Her sweetness, her goodness,
appealed to what he guessed must be the noblest in him. And she
was only nineteen. Suddenly his heart swelled, the ache came to
his throat and the smart to his eyes.
"Blixy," he said, just above a whisper; "Blixy, wish I was a
better sort of chap."
"That's the beginning of being better, isn't it, Condy?" she
answered, turning toward him, her chin on her hand.
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The third excerpt represents the future or something you must embrace, and is drawn from The Crisis in Russia by Arthur Ransome: therefore, that the workmen of each factory had no right to
arrange things with no thought except for themselves. The
Committee idea was still strong, and the difficulty was got
over by assuring that the technical staff should be
represented on the Committee, and that the casting vote
between workers and technical experts or managers should
belong to the central economic organ of the State. The next
stage was when the management of a workshop was given a
so called "collegiate" character, the workmen appointing
representatives to share the responsibility of the "bourgeois
specialist." The bitter controversy now going on
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