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Today's Stichomancy for Michelangelo

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Children of the Night by Edwin Arlington Robinson:

I never knew then that the men and the women Who petted and called me a brave big fellow Were ever less happy than I; but wisdom -- Which comes with the years, you know -- soon showed me The secret of all my glittering childhood, The broken key to the fairies' castle That held my life in the fresh, glad season When I was the king of the earth. Then slowly -- And yet so swiftly! -- there came the knowledge That the marvellous life I had lived was my life; That the glorious world I had loved was my world;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ferragus by Honore de Balzac:

the vidame advised him to stay in the house, and even in his own room, where he would be safe from the attempts of this man Ferragus, and not to leave it until he could be certain of crushing him.

"We should never touch an enemy until we can be sure of taking his head off," he said, gravely.

The old man, however, promised his favorite to employ all the astuteness with which Heaven had provided him (without compromising any one) in reconnoitring the enemy's ground, and laying his plans for future victory. The Commander had in his service a retired Figaro, the wiliest monkey that ever walked in human form; in earlier days as clever as a devil, working his body like a galley-slave, alert as a


Ferragus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

Titian; the tuberose, Crivelli--"

"I never supposed that anyone else had noticed it."

"Have you never thought--"

"Oh, yes, often and often; but I never dreamed that anyone else had."

"But surely you must have felt--"

"Oh, yes, yes; and you, too--"

"How beautiful! How strange--"

Their voices rose and fell, like the murmur of two fountains answering each other across a garden full of flowers. At length, with a certain tender impatience, he turned to her and said: "Love, why should we linger here? All eternity lies before us.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from St. Ives by Robert Louis Stevenson:

to be rather a successful merchant; and found means to procure many little delicacies and alleviations, such as children or prisoners desire.

I am scarcely drawing the portrait of a very melancholy man. It is not indeed my character; and I had, in a comparison with my comrades, many reasons for content. In the first place, I had no family: I was an orphan and a bachelor; neither wife nor child awaited me in France. In the second, I had never wholly forgot the emotions with which I first found myself a prisoner; and although a military prison be not altogether a garden of delights, it is still preferable to a gallows. In the third, I am almost ashamed to say