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Today's Stichomancy for Michelangelo

The first excerpt represents the past or something you must release, and is drawn from The Call of the Wild by Jack London:

everything in disorder; also, he saw a woman. "Mercedes" the men called her. She was Charles's wife and Hal's sister--a nice family party.

Buck watched them apprehensively as they proceeded to take down the tent and load the sled. There was a great deal of effort about their manner, but no businesslike method. The tent was rolled into an awkward bundle three times as large as it should have been. The tin dishes were packed away unwashed. Mercedes continually fluttered in the way of her men and kept up an unbroken chattering of remonstrance and advice. When they put a clothes-sack on the front of the sled, she suggested it should go

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Glinda of Oz by L. Frank Baum:

fishes, which stuck their heads above the water in the kettle and called out:

"Come here, Ervic!"

So he went back to the kettle and bent over it

"Let the cupboard alone," said the goldfish to him earnestly. "You could not succeed by getting that magic powder, for only the Yookoohoo knows how to use it. The best way is to allow her to transform us into three girls, for then we will have our natural shapes and be able to perform all the Arts of Magic we have learned and well understand. You are acting wisely and in the


Glinda of Oz
The third excerpt represents the future or something you must embrace, and is drawn from The Gentle Grafter by O. Henry:

attired with unscrupulous plainness, sitting with his feet up, eating apples, with his obnoxious hat on the back of his head. That man is no other than Colonel Tecumseh (once "Parleyvoo") Pickens, the vice- president of the company.

"No recherche rags for me," I says to Atterbury, when we was organizing the stage properties of the robbery. "I'm a plain man," says I, "and I do not use pajamas, French, or military hair-brushes. Cast me for the role of the rhinestone-in-the-rough or I don't go on exhibition. If you can use me in my natural, though displeasing form, do so."

"Dress you up?" says Atterbury; "I should say not! Just as you are