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Today's Stichomancy for Michelangelo

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

again--aloud; but just a few seconds before he went to meet his Maker, his lips moved in a faint whisper; and as I leaned closer to catch his words, what do you suppose I heard? "Now--I--lay me--down--to--sleep" That was all; Benson was dead. We threw his body overboard.

The wind of that night brought on some pretty rough weather with a lot of black clouds which persisted for several days. We didn't know what course we had been holding, and there was no way of finding out, as we could no longer trust the compass, not knowing what Benson had done to it. The long and the short of it was that we cruised about aimlessly until the sun came out again. I'll never


The Land that Time Forgot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Inland Voyage by Robert Louis Stevenson:

Our curiosity was mightily excited at this. How, or why, or when, was this lymphatic bagman martyred? We concluded at once it was on some religious question, and brushed up our memories of the Inquisition, which were principally drawn from Poe's horrid story, and the sermon in TRISTRAM SHANDY, I believe.

On the morrow we had an opportunity of going further into the question; for when we rose very early to avoid a sympathising deputation at our departure, we found the hero up before us. He was breaking his fast on white wine and raw onions, in order to keep up the character of martyr, I conclude. We had a long conversation, and made out what we wanted in spite of his reserve.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Footnote to History by Robert Louis Stevenson:

was a good position for a general view, obtained a guide. He led them up a steep side of the mountain, where they must climb by roots and tufts of grass; and coming to an open hill-top with some scattered trees, bade them wait, let him draw the fire, and then be swift to follow. Perhaps a dozen balls whistled about him ere he had crossed the dangerous passage and dropped on the farther side into the crow's-nest; the white men, briskly following, escaped unhurt. The crow's-nest was built like a bartizan on the precipitous front of the position. Across the ravine, perhaps at five hundred yards, heads were to be seen popping up and down in a fort of Tamesese's. On both sides the same enthusiasm without

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rinkitink In Oz by L. Frank Baum:

a fairy-land. I have an idea that about the time you are reading this story of Rinkitink I shall be writing that story of Adventures in Oz.

Don't fail to write me often and give me your advice and suggestions, which I always appreciate. I get a good many letters from my readers, but every one is a joy to me and I answer them as soon as I can find time to do so.

"OZCOT" at HOLLYWOOD in CALIFORNIA, 1916.


Rinkitink In Oz