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Today's Stichomancy for Michelangelo

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Iron Puddler by James J. Davis:

land that produced nothing, and then found themselves unable to pay it back. They wanted to call silver and paper cash and pay the debt with this new kind of money. He wanted a money system by which a farmer could borrow money to put in his crop, then having failed to raise a crop (I have mentioned the great drought years) could yet pay back the money. But no farming nation can suffer great crop losses without being set back financially and starved to where it hurts. You've got to figure God's laws into your human calculations.

"Bryan might as well try to dodge the hungry days by advocating the free and unlimited coinage of tomato cans," is the way one of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from What is Man? by Mark Twain:

The entire overture, long as it was, was played to a dark house with the curtain down. It was exquisite; it was delicious. But straightway thereafter, or course, came the singing, and it does seem to me that nothing can make a Wagner opera absolutely perfect and satisfactory to the untutored but to leave out the vocal parts. I wish I could see a Wagner opera done in pantomime once. Then one would have the lovely orchestration unvexed to listen to and bathe his spirit in, and the bewildering beautiful scenery to intoxicate his eyes with, and the dumb acting couldn't mar these pleasures, because there isn't often anything in the Wagner opera that one would call by such a violent name as


What is Man?
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rezanov by Gertrude Atherton:

alliance with the house of Arguello, and that your brother will match his best fighting cock against your new white lace mantilla from Mexico, that he is not meditating any project so detrimental to his fortunes. Console yourself with the reflection that if he were, our father and the priests, and the Governor himself, would die of apoplexy. He is a heretic--a member of the Greek Church! Hast thou lost thy reason, Conchita? Dry your eyes and come home to sleep, and let us hear no more of marriage with a man who is not only a barbarian of


Rezanov
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

was to share his secret, and that the man who had painted the portrait that was the origin of all his shame was to be burdened for the rest of his life with the hideous memory of what he had done.

"Yes," he continued, coming closer to him and looking steadfastly into his stern eyes, "I shall show you my soul. You shall see the thing that you fancy only God can see."

Hallward started back. "This is blasphemy, Dorian!" he cried. "You must not say things like that. They are horrible, and they don't mean anything."

"You think so?" He laughed again.


The Picture of Dorian Gray