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Today's Stichomancy for Michelangelo

The first excerpt represents the past or something you must release, and is drawn from Eryxias by Platonic Imitator:

money which is useful for this purpose is of the greatest use; not that these things are not useful towards life, if by them we can procure wealth.

SOCRATES: And how would you answer another question? There are persons, are there not, who teach music and grammar and other arts for pay, and thus procure those things of which they stand in need?

ERYXIAS: There are.

SOCRATES: And these men by the arts which they profess, and in exchange for them, obtain the necessities of life just as we do by means of gold and silver?

ERYXIAS: True.

SOCRATES: Then if they procure by this means what they want for the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Augsburg Confession by Philip Melanchthon:

consciences, which grieved that they were held in an imperfect state of life, as in marriage, in the office of magistrate; or in other civil ministrations; on the other hand, they admired the monks and such like, and falsely imagined that the observances of such men were more acceptable to God.

Thirdly, traditions brought great danger to consciences; for it was impossible to keep all traditions, and yet men judged these observances to be necessary acts of worship. Gerson writes that many fell into despair, and that some even took their own lives, because they felt that they were not able to satisfy the traditions, and they had all the while not heard

The third excerpt represents the future or something you must embrace, and is drawn from The Rape of Lucrece by William Shakespeare:

At length address'd to answer his desire, She modestly prepares to let them know Her honour is ta'en prisoner by the foe; While Collatine and his consorted lords With sad attention long to hear her words.

And now this pale swan in her watery nest Begins the sad dirge of her certain ending: 'Few words,' quoth she, 'shall fit the trespass best, Where no excuse can give the fault amending: In me more woes than words are now depending; And my laments would be drawn out too long,