| The first excerpt represents the past or something you must release, and is drawn from Melmoth Reconciled by Honore de Balzac: lounging by the door of the building in the Rue Feydeau, where at that
time stockbrokers temporarily congregated. The house-painter, simple
fellow, could not think what was the matter with him. He "felt all
anyhow"; so he told his wife when he went home.
The Rue Feydeau, as idlers about town are aware, is a place of
pilgrimage for youths who for lack of a mistress bestow their ardent
affection upon the whole sex. On the first floor of the most rigidly
respectable domicile therein dwelt one of those exquisite creatures
whom it has pleased heaven to endow with the rarest and most
surpassing beauty. As it is impossible that they should all be
duchesses or queens (since there are many more pretty women in the
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Tanach: Psalms 104: 16 The trees of the LORD have their fill, the cedars of Lebanon, which He hath planted;
Psalms 104: 17 Wherein the birds make their nests; as for the stork, the fir-trees are her house.
Psalms 104: 18 The high mountains are for the wild goats; the rocks are a refuge for the conies.
Psalms 104: 19 Who appointedst the moon for seasons; the sun knoweth his going down.
Psalms 104: 20 Thou makest darkness, and it is night, wherein all the beasts of the forest do creep forth.
Psalms 104: 21 The young lions roar after their prey, and seek their food from God.
Psalms 104: 22 The sun ariseth, they slink away, and couch in their dens.
Psalms 104: 23 Man goeth forth unto his work and to his labour until the evening.
Psalms 104: 24 How manifold are Thy works, O LORD! In wisdom hast Thou made them all; the earth is full of Thy creatures.
Psalms 104: 25 Yonder sea, great and wide, therein are creeping things innumerable, living creatures, both small and great.
Psalms 104: 26 There go the ships; there is leviathan, whom Thou hast formed to sport therein.
The Tanach |
The third excerpt represents the future or something you must embrace, and is drawn from Moon-Face and Other Stories by Jack London: sticker; the back was smooth and unbroken. They searched for sign of
snake-bite and sting of fly or insect, but found nothing.
"Whatever it was, it was subjective, that much is certain," Chris said.
"Obsession," Lute suggested.
They laughed together at the idea, for both were twentieth-century products,
healthy-minded and normal, with souls that delighted in the butterfly-chase of
ideals but that halted before the brink where superstition begins.
"An evil spirit," Chris laughed; "but what evil have I done that I should be
so punished?"
"You think too much of yourself, sir," she rejoined. "It is more likely some
evil, I don't know what, that Dolly has done. You were a mere accident. I
|
