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Today's Stichomancy for Michelle Yeoh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Danny's Own Story by Don Marquis:

me off'n him. Hank, he gets up, and then he sets down sudden on a horse block and wipes his face on his sleeve, which they was considerable blood come onto the sleeve.

I looks around to see who has had holt of me, and it is two men. One of them looks about seven feet tall, on account of a big plug hat and a long white linen duster, and has a beautiful red beard. In the road they is a big stout road wagon, with a canopy top over it, pulled by two hosses, and on the wagon box they is a strip of canvas. Which I couldn't

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Redheaded Outfield by Zane Grey:

and cautiously to his players. Then Daddy was certain he had discovered a trick. He called his players around him.

``This game ain't over yet. It ain't any more'n begun. I'll tell you what. Last innin' Bo's umpire switched balls on us. That ball was lively. An' they tried to switch back on me. But nix! We're goin' to git a chanst to hit that lively ball, An' they're goin' to git a dose of their own medicine. Now, you dead ones--come back to life! Show me some hittin' an' runnin'.''


The Redheaded Outfield
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of the Far East by Percival Lowell:

mind we find there. As its language so clearly shows, it still is in that early impersonal state to which we all awake first before we become aware of that something we later know so well as self.

Particularly potent with these people is their language, for a reason that also lends it additional interest to us,--because it is their own. Among the mass of foreign thought the Japanese imitativeness has caused the nation to adopt, here is one thing which is indigenous. Half of the present speech, it is true, is of Chinese importation, but conservatism has kept the other half pure. From what it reveals we can see how each man starts to-day with the same impersonal outlook upon life the race had reached centuries

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

I suppose, with the absence of lifting work or rigid sitting in youth and, even more, with the formless grace of our nervous, sporadic games. This quality was continually breaking through his punctilious manner in the shape of restlessness. He was never quite still; there was always a tapping foot somewhere or the impatient opening and closing of a hand.

He saw me looking with admiration at his car.

"It's pretty, isn't it, old sport?" He jumped off to give me a better view. "Haven't you ever seen it before?"

I'd seen it. Everybody had seen it. It was a rich cream color, bright with nickel, swollen here and there in its monstrous length with triumphant hat-boxes and supper-boxes and tool-boxes, and terraced with a


The Great Gatsby