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Today's Stichomancy for Mick Jagger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dunwich Horror by H. P. Lovecraft:

the big-game rifle on which he relied despite his colleague's warnings that no material weapon would be of help. Armitage, having read the hideous diary, knew painfully well what kind of a manifestation to expect; but he did not add to the fright of the Dunwich people by giving any hints or clues. He hoped that it might be conquered without any revelation to the world of the monstrous thing it had escaped. As the shadows gathered, the natives commenced to disperse homeward, anxious to bar themselves indoors despite the present evidence that all human locks and bolts were useless before a force that could bend trees and crush houses


The Dunwich Horror
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land of Footprints by Stewart Edward White:

butchering game meat, wood and plainscraft, the knowledge of how properly to care for firearms in all sorts of circumstances, and a half hundred other like minutiae. Memba Sasa knew these things, and he performed them with the artist's love for details; and his keen eyes were always spying for new ways.

At a certain time I shot an egret, and prepared to take the skin. Memba Sasa asked if he might watch me do it. Two months later, having killed a really gaudy peacocklike member of the guinea fowl tribe, I handed it over to him with instructions to take off the breast feathers before giving it to the cook. In a half hour he brought me the complete skin, I examined it carefully, and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Babbitt by Sinclair Lewis:

have in the tragedies of our friends. "Of course Paul isn't altogether to blame, but this is what comes of his chasing after other women instead of bearing his cross in a Christian way," she exulted.

He was too languid to respond as he desired. He said what was to be said about the Christian bearing of crosses, and went out to clean the car. Dully, patiently, he scraped linty grease from the drip-pan, gouged at the mud caked on the wheels. He used up many minutes in washing his hands; scoured them with gritty kitchen soap; rejoiced in hurting his plump knuckles. "Damn soft hands--like a woman's. Aah!"

At dinner, when his wife began the inevitable, he bellowed, "I forbid any of you to say a word about Paul! I'll 'tend to all the talking about this that's

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Herland by Charlotte Gilman:

with very obvious causes and consequences. You've noticed the games?"

I had. The children seemed always playing something; or else, sometimes, engaged in peaceful researches of their own. I had wondered at first when they went to school, but soon found that they never did-- to their knowledge. It was all education but no schooling.

"We have been working for some sixteen hundred years, devising better and better games for children," continued Somel.

I sat aghast. "Devising games?" I protested. "Making up new ones, you mean?"

"Exactly," she answered. "Don't you?"

Then I remembered the kindergarten, and the "material"


Herland