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Today's Stichomancy for Mikhail Gorbachev

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Underground City by Jules Verne:

And they would no doubt have gone farther still, if they had not suddenly come to the end of the wide road which they had followed since their entrance into the mine.

The gallery ended in an enormous cavern, neither the height nor depth of which could be calculated. At what altitude arched the roof of this excavation--at what distance was its opposite wall-- the darkness totally concealed; but by the light of the lamp the explorers could discover that its dome covered a vast extent of still water-- pond or lake--whose picturesque rocky banks were lost in obscurity.

"Halt!" exclaimed Ford, stopping suddenly. "Another step, and perhaps we shall fall into some fathomless pit."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Time Machine by H. G. Wells:

finger shows the movement of the barometer. Yesterday it was so high, yesterday night it fell, then this morning it rose again, and so gently upward to here. Surely the mercury did not trace this line in any of the dimensions of Space generally recognized? But certainly it traced such a line, and that line, therefore, we must conclude was along the Time-Dimension.'

`But,' said the Medical Man, staring hard at a coal in the fire, `if Time is really only a fourth dimension of Space, why is it, and why has it always been, regarded as something different? And why cannot we move in Time as we move about in the other dimensions of Space?'


The Time Machine
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Art of War by Sun Tzu:

YU HAI (13th cent.), ch. 140, 141. SAN TS`AI T`U HUI (16th cent). KUANG PO WU CHIH (1607), ch. 31, 32. CH`IEN CH`IO LEI SHU (1632), ch. 75. YUAN CHIEN LEI HAN (1710), ch. 206-229. KU CHIN T`U SHU CHI CH`ENG (1726), section XXX, esp. ch. 81- 90. HSU WEN HSIEN T`UNG K`AO (1784), ch. 121-134. HUANG CH`AO CHING SHIH WEN PIEN (1826), ch. 76, 77.

The bibliographical sections of certain historical works also deserve mention: --


The Art of War
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ann Veronica by H. G. Wells:

body of the court, of clerks seated at a black table littered with papers, of policemen standing about stiffly with expressions of conscious integrity, and a murmuring background of the heads and shoulders of spectators close behind her. On a high chair behind a raised counter the stipendiary's substitute regarded her malevolently over his glasses. A disagreeable young man, with red hair and a loose mouth, seated at the reporter's table, was only too manifestly sketching her.

She was interested by the swearing of the witnesses. The kissing of the book struck her as particularly odd, and then the policemen gave their evidence in staccato jerks and stereotyped