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Today's Stichomancy for Mitt Romney

The first excerpt represents the past or something you must release, and is drawn from The Man that Corrupted Hadleyburg by Mark Twain:

"'GO, AND REFORM--OR, MARK MY WORDS--SOME DAY, FOR YOUR SINS YOU WILL DIE AND GO TO HELL OR HADLEYBURG--TRY AND MAKE IT THE FORMER.'"

A ghastly silence followed. First an angry cloud began to settle darkly upon the faces of the citizenship; after a pause the cloud began to rise, and a tickled expression tried to take its place; tried so hard that it was only kept under with great and painful difficulty; the reporters, the Brixtonites, and other strangers bent their heads down and shielded their faces with their hands, and managed to hold in by main strength and heroic courtesy. At this most inopportune time burst upon the stillness the roar of a solitary voice--Jack Halliday's:


The Man that Corrupted Hadleyburg
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Daisy Miller by Henry James:

In Geneva, as he had been perfectly aware, a young man was not at liberty to speak to a young unmarried lady except under certain rarely occurring conditions; but here at Vevey, what conditions could be better than these?-- a pretty American girl coming and standing in front of you in a garden. This pretty American girl, however, on hearing Winterbourne's observation, simply glanced at him; she then turned her head and looked over the parapet, at the lake and the opposite mountains. He wondered whether he had gone too far, but he decided that he must advance farther, rather than retreat. While he was thinking of something else to say, the young lady turned to the little boy again.

"I should like to know where you got that pole," she said.

The third excerpt represents the future or something you must embrace, and is drawn from The Spirit of the Border by Zane Grey:

third, more cunning and skillful than his fellows, have flown under the shady trees, for all the trail he left. But redmen followed the same methods of woodcraft from tradition, as Wetzel had learned after long years of study and experience.

And now, satisfied that he had divined the Delaware's intention, he slipped down the bank of the ravine, and once more broke into a run. He leaped lightly, sure-footed as a goat, from stone to stone, over fallen logs, and the brawling brook. At every turn of the ravine, at every open place, he stopped to listen.

Arriving on the other side of the ridge, he left the ravine and passed along the edge of the rising ground. He listened to the birds, and searched the


The Spirit of the Border