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Today's Stichomancy for Moby

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Emerald City of Oz by L. Frank Baum:

through the forest was not at all difficult.

Before long they reached a high wall of solid white marble, and the path came to an end at this wall.

At first Dorothy thought there was no opening at all in the marble, but on looking closely she discovered a small square door about on a level with her head, and underneath this closed door was a bell-push. Near the bell-push a sign was painted in neat letters upon the marble, and the sign read:

NO ADMITTANCE

EXCEPT ON BUSINESS

This did not discourage Dorothy, however, and she rang the bell.


The Emerald City of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

man changed. With an angry oath he wheeled his prisoner about, tripped him and hurled him violently to the floor, leaping upon his breast as he fell. From the bed the ape growled and struggled with his bonds. The boy did not cry out--a trait inherited from his savage sire whom long years in the jungle following the death of his foster mother, Kala the great ape, had taught that there was none to come to the succor of the fallen.

Paulvitch's fingers sought the lad's throat. He grinned down horribly into the face of his victim.

"Your father ruined me," he mumbled. "This will pay him. He will think that the ape did it. I will tell him that the ape did it.


The Son of Tarzan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Odyssey by Homer:

bade them lay hands on the tackling, and speedily they hearkened to his call. So they raised the mast of pine tree, and set it in the hole of the cross plank and made it fast with forestays, and hauled up the white sails with twisted ropes of ox-hide. And grey-eyed Athene sent them a favouring breeze, rushing violently through the clear sky that the ship might speedily finish her course over the salt water of the sea. So they passed by Crouni and Chalcis, a land of fair streams.

And the sun set and all the ways were darkened. And the vessel drew nigh to Pheae, being sped before the breeze of


The Odyssey
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Critias by Plato:

the gods to men is far easier than to speak well of men to men: for the inexperience and utter ignorance of his hearers about any subject is a great assistance to him who has to speak of it, and we know how ignorant we are concerning the gods. But I should like to make my meaning clearer, if you will follow me. All that is said by any of us can only be imitation and representation. For if we consider the likenesses which painters make of bodies divine and heavenly, and the different degrees of gratification with which the eye of the spectator receives them, we shall see that we are satisfied with the artist who is able in any degree to imitate the earth and its mountains, and the rivers, and the woods, and the universe, and the things that are and move therein, and further, that knowing nothing precise