| The first excerpt represents the past or something you must release, and is drawn from Aeneid by Virgil: Her face is furrow'd, and her front obscene;
Deep-dinted wrinkles on her cheek she draws;
Sunk are her eyes, and toothless are her jaws;
Her hoary hair with holy fillets bound,
Her temples with an olive wreath are crown'd.
Old Chalybe, who kept the sacred fane
Of Juno, now she seem'd, and thus began,
Appearing in a dream, to rouse the careless man:
"Shall Turnus then such endless toil sustain
In fighting fields, and conquer towns in vain?
Win, for a Trojan head to wear the prize,
 Aeneid |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gorgias by Plato: meant to say that arithmetic was the same as rhetoric. Even in the arts
which are concerned with words there are differences. What then
distinguishes rhetoric from the other arts which have to do with words?
'The words which rhetoric uses relate to the best and greatest of human
things.' But tell me, Gorgias, what are the best? 'Health first, beauty
next, wealth third,' in the words of the old song, or how would you rank
them? The arts will come to you in a body, each claiming precedence and
saying that her own good is superior to that of the rest--How will you
choose between them? 'I should say, Socrates, that the art of persuasion,
which gives freedom to all men, and to individuals power in the state, is
the greatest good.' But what is the exact nature of this persuasion?--is
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The third excerpt represents the future or something you must embrace, and is drawn from Ozma of Oz by L. Frank Baum: Westward the fertile Land of Ev suddenly ended a little way from the
palace, and the girl could see miles and miles of sandy desert that
stretched further than her eyes could reach. It was this desert, she
thought, with much interest, that alone separated her from the
wonderful Land of Oz, and she remembered sorrowfully that she had been
told no one had ever been able to cross this dangerous waste but
herself. Once a cyclone had carried her across it, and a magical pair
of silver shoes had carried her back again. But now she had neither a
cyclone nor silver shoes to assist her, and her condition was sad
indeed. For she had become the prisoner of a disagreeable princess
who insisted that she must exchange her head for another one that she
 Ozma of Oz |