| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Aesop's Fables by Aesop: he came there the Lion simply pounced on the Ass, and said to the
Fox: "Here is our dinner for to-day. Watch you here while I go
and have a nap. Woe betide you if you touch my prey." The Lion
went away and the Fox waited; but finding that his master did not
return, ventured to take out the brains of the Ass and ate them
up. When the Lion came back he soon noticed the absence of the
brains, and asked the Fox in a terrible voice: "What have you done
with the brains?"
"Brains, your Majesty! it had none, or it would never have
fallen into your trap."
Wit has always an answer ready.
 Aesop's Fables |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twelve Stories and a Dream by H. G. Wells: are the Right Sort of Boy."
I was surprised at his knowing that, because, in the interests
of discipline, we keep it rather a secret even at home; but Gip
received it in unflinching silence, keeping a steadfast eye on him.
"It's only the Right Sort of Boy gets through that doorway."
And, as if by way of illustration, there came a rattling at the door,
and a squeaking little voice could be faintly heard. "Nyar! I WARN 'a
go in there, dadda, I WARN 'a go in there. Ny-a-a-ah!" and then
the accents of a down-trodden parent, urging consolations and
propitiations. "It's locked, Edward," he said.
"But it isn't," said I.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson: MY DEAR MR. SCHWOB, - MAIS, ALORS, VOUS AVEZ TOUS LES BONHEURS,
VOUS! More about Villon; it seems incredible: when it is put in
order, pray send it me.
You wish to translate the BLACK ARROW: dear sir, you are hereby
authorised; but I warn you, I do not like the work. Ah, if you,
who know so well both tongues, and have taste and instruction - if
you would but take a fancy to translate a book of mine that I
myself admired - for we sometimes admire our own - or I do - with
what satisfaction would the authority be granted! But these things
are too much to expect. VOUS NE DETESTEZ PAS ALORS MES BONNES
FEMMES? MOI, JE LES DETESTE. I have never pleased myself with any
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of Writing by Robert Louis Stevenson: public press, neither the public nor the Parliament would
find it in their minds to drop to meaner thoughts. The
writer has the chance to stumble, by the way, on something
pleasing, something interesting, something encouraging, were
it only to a single reader. He will be unfortunate, indeed,
if he suit no one. He has the chance, besides, to stumble on
something that a dull person shall be able to comprehend; and
for a dull person to have read anything and, for that once,
comprehended it, makes a marking epoch in his education.
Here, then, is work worth doing and worth trying to do well.
And so, if I were minded to welcome any great accession to
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