Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Mohandas Gandhi

The first excerpt represents the past or something you must release, and is drawn from Under the Andes by Rex Stout:

light, I halted and turned, while Evans approached from the inner rooms, rubbing eyes heavy with sleep.

Good old Evans! Yet the faithfulness of such a servant has its disadvantages.

"Well?" said Harry in a thin, high voice.

The boy's nerves were stretched tightly; two words from me would have produced an explosion. So I clapped him on the shoulder and sent him off to bed. He went sulkily, without looking round, and his shoulders drooped like those of an old man; but I

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Scaramouche by Rafael Sabatini:

those two, who of late had so haunted his thoughts. The sight of either of them would have been sufficiently disconcerting. The sight of both together very nearly made him forget the purpose for which he had come upon the stage. Then he pulled himself together, and played. He played, he says, with an unusual nerve, and never in all that brief but eventful career of his was he more applauded.

That was the evening's first shock. The next came after the second act. Entering the green-room he found it more thronged than usual, and at the far end with Climene, over whom he was bending from his fine height, his eyes intent upon her face, what time his smiling lips moved in talk, M. de La Tour d'Azyr. He had her entirely to

The third excerpt represents the future or something you must embrace, and is drawn from Ion by Plato:

still maintains, however, that he understands the art of the general as well as any one. 'Then why in this city of Athens, in which men of merit are always being sought after, is he not at once appointed a general?' Ion replies that he is a foreigner, and the Athenians and Spartans will not appoint a foreigner to be their general. 'No, that is not the real reason; there are many examples to the contrary. But Ion has long been playing tricks with the argument; like Proteus, he transforms himself into a variety of shapes, and is at last about to run away in the disguise of a general. Would he rather be regarded as inspired or dishonest?' Ion, who has no suspicion of the irony of Socrates, eagerly embraces the alternative of inspiration.