| The first excerpt represents the past or something you must release, and is drawn from Pathology of Lying, Etc. by William and Mary Healy: scandal occurring. In this and other affairs the family
situation was at times unbearable because of the possibility that
there might be some truth underlying the girl's statements. As
the years went on Janet, of course, suffered from her loss of
reputation, but still continued her practices of lying. In the
two years before she left home she worked as a clerk. Previously
she had held two or three situations and was reported to give
good satisfaction in her work, but something would always come up
about money matters, or other things, which would finally give
rise to trouble. It is not known that she ever really took any
money except the last time when she ran away and took a
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Two Brothers by Honore de Balzac: Max and the Rabouilleuse of a scheme to make sure of the fifty
thousand francs' income from the Funds, and then, after pulling that
feather from their pigeon's wing, to run away, I don't know where, and
get married. It is high time to know what is going on under my uncle's
roof, but I don't see how to set about it."
"I will think of it," said the old man.
They separated, for several persons were now approaching.
Never, at any time in his life, did Jean-Jacques suffer as he had done
since the first visit of his nephew Philippe. Flore was terrified by
the presentiment of some evil that threatened Max. Weary of her
master, and fearing that he might live to be very old, since he was
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The third excerpt represents the future or something you must embrace, and is drawn from Herbert West: Reanimator by H. P. Lovecraft: exist independently of the brain -- that man has no central connective
spirit, but is merely a machine of nervous matter, each section
more or less complete in itself. In one triumphant demonstration
West was about to relegate the mystery of life to the category
of myth. The body now twitched more vigorously, and beneath our
avid eyes commenced to heave in a frightful way. The arms stirred
disquietingly, the legs drew up, and various muscles contracted
in a repulsive kind of writhing. Then the headless thing threw
out its arms in a gesture which was unmistakably one of desperation
-- an intelligent desperation apparently sufficient to prove every
theory of Herbert West. Certainly, the nerves were recalling the
Herbert West: Reanimator |
