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Today's Stichomancy for Monica Potter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Life of the Spider by J. Henri Fabre:

whim, results in a beautiful rose-window worthy of our compasses.

We shall also notice that, in each sector, the various chords, the elements of the spiral windings, are parallel to one another and gradually draw closer together as they near the centre. With the two radiating lines that frame them they form obtuse angles on one side and acute angles on the other; and these angles remain constant in the same sector, because the chords are parallel.

There is more than this: these same angles, the obtuse as well as the acute, do not alter in value, from one sector to another, at any rate so far as the conscientious eye can judge. Taken as a whole, therefore, the rope-latticed edifice consists of a series of


The Life of the Spider
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Little Women by Louisa May Alcott:

feeding heart and fancy on dangerous and unsubstantial food, and was fast brushing the innocent bloom from her nature by a premature acquaintance with the darker side of life, which comes soon enough to all of us.

She was beginning to feel rather than see this, for much describing of other people's passions and feelings set her to studying and speculating about her own. a morbid amusement in which healthy young minds do not voluntarily indulge. Wrongdoing always brings its own punishment, and when Jo most needed hers, she got it.

I don't know whether the study of Shakespeare helped her


Little Women
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Coxon Fund by Henry James:

his palm, and I reproached him with unfair play in having ascertained beforehand that it was now the hour at which I always gave in. My pleasantry so far failed to mollify him that he promptly added that to the rule he had just enunciated there was absolutely no exception.

"None whatever?"

"None whatever."

"Trust me then to try to be good at any price!" I laughed as I went with him to the door. "I declare I will be, if I have to be horrible!"

CHAPTER III

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War and the Future by H. G. Wells:

wonder what the trench is like in really wet weather. You hear a shell burst at no great distance. You pass two pages of /The Strand Magazine./ Perhaps thirty yards on you pass a cigarette end. After these sensational incidents the trench quiets down again and continues to wind endlessly--just a sandy, extremely narrow vertical walled trench. A giant crack.

At last you reach the front line trench. On an offensive sector it has none of the architectural interest of first line trenches at such places as Soissons or Arras. It was made a week or so ago by joining up shell craters, and if all goes well we move into the German trench along by the line of scraggy trees, at