| The first excerpt represents the past or something you must release, and is drawn from Robinson Crusoe by Daniel Defoe: savage, Friday's father, out as a spy, to learn, if possible,
something concerning them, as what they came for, what they
intended to do, and the like. The old man readily undertook it;
and stripping himself quite naked, as most of the savages were,
away he went. After he had been gone an hour or two, he brings
word that he had been among them undiscovered, that he found they
were two parties, and of two several nations, who had war with one
another, and had a great battle in their own country; and that both
sides having had several prisoners taken in the fight, they were,
by mere chance, landed all on the same island, for the devouring
their prisoners and making merry; but their coming so by chance to
 Robinson Crusoe |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Master Key by L. Frank Baum: occasions. Never allow revenge or animosity to influence your
conduct. Men may threaten, but they can not injure you, so you must
remember that they do not possess your mighty advantages, and that,
because of your strength, you should bear with them patiently."
Rob examined the garment with much curiosity. It glittered like
silver, yet was soft and pliable as lamb's wool. Evidently the Demon
had prepared it especially for his use, for it was just Rob's size.
"Now," continued the Demon, more gravely, "we approach the subject of
an electrical device so truly marvelous that even I am awed when I
contemplate the accuracy and perfection of the natural laws which
guide it and permit it to exercise its functions. Mankind has as yet
 The Master Key |
The third excerpt represents the future or something you must embrace, and is drawn from The Reef by Edith Wharton: "Good-bye," she said, in dread lest he should read her face;
and she stood motionless, her head high, while he walked to
the door and went out.
BOOK V
XXX
Anna Leath, three days later, sat in Miss Painter's drawing-
room in the rue de Matignon.
Coming up precipitately that morning from the country, she
had reached Paris at one o'clock and Miss Painter's landing
some ten minutes later. Miss Painter's mouldy little man-
servant, dissembling a napkin under his arm, had mildly
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