| The first excerpt represents the past or something you must release, and is drawn from The Light of Western Stars by Zane Grey: well. And hustle getting ready. We're waiting."
A little later, when Madeline went out with Florence, the gray
gloom was lightening. Horses were champing bits and pounding
gravel.
"Mawnin', Miss Majesty," said Stillwell, gruffly, from the front
seat of a high vehicle.
Alfred bundled her up into the back seat, and Florence after her,
and wrapped them with robes. Then he mounted his horse and
started off. "Gid-eb!" growled Stillwell, and with a crack of
his whip the team jumped into a trot. Florence whispered into
Madeline's ear:
The Light of Western Stars |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Hellenica by Xenophon: enormous superiority of the Hellenic navy, and with regard to land
forces drawing an obvious inference from the exploits and final
deliverance of the troops with Cyrus, persuaded Agesilaus, to
undertake a campaign into Asia, provided the authorities would furnish
him with thirty Spartans, two thousand of the enfranchised,[2] and
contingents of the allies amounting to six thousand men. Apart from
these calculations, Lysander had a personal object: he wished to
accompany the king himself, and by his aid to re-establish the
decarchies originally set up by himself in the different cities, but
at a later date expelled through the action of the ephors, who had
issued a fiat re-establishing the old order of constitution.
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The third excerpt represents the future or something you must embrace, and is drawn from A Daughter of Eve by Honore de Balzac: morning he went straight to work until eight or nine. He was scarcely
asleep before he was obliged to be up and concocting the opinions of
his journal with the men of political influence on whom he depended,--
not to speak of the thousand and one other details of the paper.
Journalism is connected with everything in these days; with industrial
concerns, with public and private interests, with all new enterprises,
and all the schemes of literature, its self-loves, and its products.
When Nathan, harassed and fatigued, would rush from his editorial
office to the theatre, from the theatre to the Chamber, from the
Chamber to face certain creditors, he was forced to appear in the Bois
with a calm countenance, and gallop beside Marie's carriage in the
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