The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moran of the Lady Letty by Frank Norris: felt hats. On the quarterdeck stood the Captain, barking his
orders.
"Consider the Lilee of the Vallee," bellowed the latter, as his
eye fell upon Wilbur the Transformed. "Clap on to that starboard
windlass brake, sonny."
Wilbur saw the Chinamen ranging themselves about what he guessed
was the windlass in the schooner's bow. He followed and took his
place among them, grasping one of the bars.
"Break down!" came the next order. Wilbur and the Chinamen
obeyed, bearing up and down upon the bars till the slack of the
anchor-chain came home and stretched taut and dripping from the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from When the Sleeper Wakes by H. G. Wells: swift car to throw them into the air, but such a car
was efficient in any open place clear of high buildings
or trees. Human aeronautics, Graham perceived,
were evidently still a long way behind the instinctive
gift of the albatross or the fly-catcher. One great
influence that might have brought the aeropile to a
more rapid perfection had been withheld; these
inventions had never been used in warfare. The last great
international struggle had occurred before the
usurpation of the Council.
The Flying Stages of London were collected
 When the Sleeper Wakes |