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Today's Stichomancy for Napoleon Bonaparte

The first excerpt represents the past or something you must release, and is drawn from Prufrock/Other Observations by T. S. Eliot:

floor-- And this, and so much more?-- It is impossible to say just what I mean I But as if a magic lantern threw the nerves in patterns on a screen: Would it have been worth while If one, settling a pillow or throwing off a shawl, And turning toward the window, should say: "That is not it at all, That is not what I meant, at all."

* * * *

No I am not Prince Hamlet, nor was meant to be;


Prufrock/Other Observations
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Another Study of Woman by Honore de Balzac:

work we have ever executed.' Before this last ray of light I might have believed something--might have taken a woman's word. I left the shop still having faith in pleasure, but where love was concerned I was as atheistical as a mathematician.

"Two months later I was sitting by the side of the ethereal being in her boudoir, on her sofa; I was holding one of her hands--they were very beautiful--and we scaled the Alps of sentiment, culling their sweetest flowers, and pulling off the daisy-petals; there is always a moment when one pulls daisies to pieces, even if it is in a drawing- room and there are no daisies. At the intensest moment of tenderness, and when we are most in love, love is so well aware of its own short

The third excerpt represents the future or something you must embrace, and is drawn from Adventure by Jack London:

and went, as did all the miscellany of coasting craft that dropped in to wait for a breeze and have a gossip, a drink or two, and a game of billiards. Satan kept the compound free of niggers. Boucher came down regularly in his whale-boat to pass Sunday. Twice a day, at breakfast and dinner, Joan and Sheldon and Tudor met amicably at table, and the evenings were as amicably spent on the veranda.

And then it happened. Tudor made his blunder. Never divining Joan's fluttering wildness, her blind hatred of restraint and compulsion, her abhorrence of mastery by another, and mistaking the warmth and enthusiasm in her eyes (aroused by his latest tale) for