Today's Stichomancy for Napoleon Bonaparte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Sesame and Lilies by John Ruskin:

So, in drawing, as soon as you can set down the right shape of anything, and thereby explain its character to another person, or make the look of it clear and interesting to a child, you will begin to enjoy the art vividly for its own sake, and all your habits of mind and powers of memory will gain precision: but if you only try to make showy drawings for praise, or pretty ones for amusement, your drawing will have little of real interest for you, and no educational power whatever.

Then, besides this more delicate work, resolve to do every day some that is useful in the vulgar sense. Learn first thoroughly the economy of the kitchen; the good and bad qualities of every common

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vailima Letters by Robert Louis Stevenson:

islands - volunteered; Moors accepted, proposing to follow and supervise: despatched his work and started after. No cart! he hurried on up the road - no cart. Transfer the scene to Vailima, where on a sudden to Fanny and me, the cart appears, apparently at a hard gallop, some two hours before it was expected; Henry radiantly ruling chaos from the bench. It stopped: it was long before we had time to remark that the axle was twisted like the letter L. Our first care was the horses. There they stood, black with sweat, the sweat raining from them - literally raining - their heads down, their feet apart - and blood running thick from the nostrils

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Economist by Xenophon:

"Criti." 115 B; Dem. "c. Nicostr." 1251; Aristot. "Hist. An." viii. 28. 8, {out akrodrua out opora khronios}; Theophr. "H. Pl." iv. 4. 11. (At a later period, see "Geopon." x. 74, = "fruits having a hard rind or shell," e.g. nuts, acorns, as opposed to pears, apples, grapes, etc., {opora}.) See further the interesting regulations in Plat. "Laws," 844 D, 845 C.

[17] Lit. "planting in general."

Soc. How shall we plant the olive, pray, Ischomachus?

Isch. I see your purpose. You ask that question with a view to put me to the test,[18] when you know the answer yourself as well as possible. You can see with your own eyes[19] that the olive has a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War and the Future by H. G. Wells:

eyes across the mountain gulfs towards unseen and unaccountable enemies. I have seen trainloads of wounded staring out of the ambulance train windows as we passed. I have seen these dim intimations of questioning reflection in the strangest juxtapositions; in Malagasy soldiers resting for a spell among the big shells they were hoisting into trucks for the front, in a couple of khaki-clad Maoris sitting upon the step of a horse-van in Amiens station. It is always the same expression one catches, rather weary, rather sullen, inturned. The shoulders droop. The very outline is a note of interrogation. They look up as the privileged tourist of the front, in the big automobile or the