Today's Stichomancy for Napoleon Bonaparte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secret Sharer by Joseph Conrad:

barely make out down there the shape of his black-haired head. However, it was enough for the horrid, frost-bound sensation which had gripped me about the chest to pass off. The moment of vain exclamations was past, too. I only climbed on the spare spar and leaned over the rail as far as I could, to bring my eyes nearer to that mystery floating alongside.

As he hung by the ladder, like a resting swimmer, the sea lightning played about his limbs at every stir; and he appeared in it ghastly, silvery, fishlike. He remained as mute as a fish, too. He made no motion to get out of the water, either. It was inconceivable that he should not attempt to come on board,

The Secret Sharer

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

are people capable of a love terrible in its strength; but I never knew such a case that some one did not consider its expediency as "a match" in the light of dollars and cents. As for heroines, of course I have seen beautiful women, and good as fair. The most beautiful is delicate and pure enough for a type of the Madonna, and has a heart almost as warm and holy. (Very pure blood is in her veins, too, if you care about blood.) But at home they call her Tode for a nickname; all we can do, she will sing, and sing through her nose; and on washing-days she often cooks the dinner, and scolds wholesomely, if the tea-napkins are not in order. Now, what is anybody to do with a heroine like

Margret Howth: A Story of To-day

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ursula by Honore de Balzac:

staggered. Thus the advantage in this struggle between the Catholic child and the Voltairean old man was on Ursula's side. In the dismantled fortress, above these ruins, shone a light; from the center of these ashes issued the path of prayer! Nevertheless, the obstinate old scientist fought his doubts. Though struck to the heart, he would not decide, he struggled on against God.

But he was no longer the same man; his mind showed its vacillation. He became unnaturally dreamy; he read Pascal, and Bossuet's sublime "History of Species"; he read Bonald, he read Saint-Augustine; he determined also to read the works of Swedenborg, and the late Saint- Martin, which the mysterious stranger had mentioned to him. The

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philebus by Plato:

are they not often false?

PROTARCHUS: Quite so.

SOCRATES: And can opinions be good or bad except in as far as they are true or false?

PROTARCHUS: In no other way.

SOCRATES: Nor can pleasures be conceived to be bad except in so far as they are false.

PROTARCHUS: Nay, Socrates, that is the very opposite of truth; for no one would call pleasures and pains bad because they are false, but by reason of some other great corruption to which they are liable.

SOCRATES: Well, of pleasures which are corrupt and caused by corruption we