| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Garden Party by Katherine Mansfield: you have me. Why? Why indeed? There's the maddening, mysterious
question. Why don't I fly out again? There's the window or the door or
whatever it was I came in by. It's not hopelessly shut--is it? Why don't
I find it and be off? Answer me that, little sister." But he gave her no
time to answer.
"I'm exactly like that insect again. For some reason"--Jonathan paused
between the words--"it's not allowed, it's forbidden, it's against the
insect law, to stop banging and flopping and crawling up the pane even for
an instant. Why don't I leave the office? Why don't I seriously consider,
this moment, for instance, what it is that prevents me leaving? It's not
as though I'm tremendously tied. I've two boys to provide for, but, after
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from At the Earth's Core by Edgar Rice Burroughs: the head with a bludgeon. By comparison with this method
Hooja's lovemaking might be called thinly veiled.
At first it caused me to blush violently although I
have seen several Old Years out at Rectors, and in other
less fashionable places off Broadway, and in Vienna,
and Hamburg.
But the girl! She was magnificent. It was easy to see
that she considered herself as entirely above and apart from
her present surroundings and company. She talked with me,
and with Perry, and with the taciturn Ghak because we
were respectful; but she couldn't even see Hooja the
 At the Earth's Core |