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Today's Stichomancy for Napoleon Bonaparte

The first excerpt represents the past or something you must release, and is drawn from God The Invisible King by H. G. Wells:

he feels that jangling or excitement of the nerves which precedes its escapes, to limit its range, to place weapons beyond its reach. And there are plenty of human beings very much in his case, whose beasts have never got loose or have got caught back before their essential insanity was apparent. And there are those uncertifiable lunatics we call men and women of "impulse" and "strong passions." If perhaps they have more self-control than the really mad, yet it happens oftener with them that the whole intelligent being falls under the dominion of evil. The passion scarcely less than the obsession may darken the whole moral sky. Repentance and atonement; nothing less will avail them after the storm has passed, and the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Several Works by Edgar Allan Poe:

Till the dirges of his Hope that melancholy burden bore Of 'Never--nevermore.'"

But the Raven still beguiling all my sad soul into smiling, Straight I wheeled a cushioned seat in front of bird and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore-- What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining

The third excerpt represents the future or something you must embrace, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

said likewise, That a lie which is half a truth is ever the blackest of lies, That a lie which is all a lie may be met and fought with outright, But a lie which is part a truth is a harder matter to fight.

IX. And Willy had not been down to the farm for a week and a day; And all things look'd half-dead, tho' it was the middle