| The first excerpt represents the past or something you must release, and is drawn from Phaedrus by Plato: PHAEDRUS: You mean that there should be a summing up of the arguments in
order to remind the hearers of them.
SOCRATES: I have now said all that I have to say of the art of rhetoric:
have you anything to add?
PHAEDRUS: Not much; nothing very important.
SOCRATES: Leave the unimportant and let us bring the really important
question into the light of day, which is: What power has this art of
rhetoric, and when?
PHAEDRUS: A very great power in public meetings.
SOCRATES: It has. But I should like to know whether you have the same
feeling as I have about the rhetoricians? To me there seem to be a great
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mysterious Affair at Styles by Agatha Christie: "Why, of course. Do you mean at once?"
"If you please."
John rang the bell, and ordered round the car. In another ten
minutes, we were racing down the park and along the high road to
Tadminster.
"Now, Poirot," I remarked resignedly, "perhaps you will tell me
what all this is about?"
"Well, mon ami, a good deal you can guess for yourself. Of
course you realize that, now Mr. Inglethorp is out of it, the
whole position is greatly changed. We are face to face with an
entirely new problem. We know now that there is one person who
 The Mysterious Affair at Styles |
The third excerpt represents the future or something you must embrace, and is drawn from Hamlet by William Shakespeare: As loue betweene them, as the Palme should flourish,
As Peace should still her wheaten Garland weare,
And stand a Comma 'tweene their amities,
And many such like Assis of great charge,
That on the view and know of these Contents,
Without debatement further, more or lesse,
He should the bearers put to sodaine death,
Not shriuing time allowed
Hor. How was this seal'd?
Ham. Why, euen in that was Heauen ordinate;
I had my fathers Signet in my Purse,
 Hamlet |