Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Natalie Imbruglia

The first excerpt represents the past or something you must release, and is drawn from When the Sleeper Wakes by H. G. Wells:

advantages to grasp yet more and more wealth. At last the party organisations of two hemispheres were in its hands; it became an inner council of political control. Its last struggle was with the tacit alliance of the great Jewish families. But these families were linked only by a feeble sentiment, at any time inheritance might fling a huge fragment of their resources to a minor, a woman or a fool, marriages and legacies alienated hundreds of thousands at one blow. The Council had no such breach in its continuity. Steadily, steadfastly it grew.


When the Sleeper Wakes
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An International Episode by Henry James:

however, habituated; she had made half a dozen journeys to Europe without him, and she now accounted for his absence, to interrogative friends on this side of the Atlantic, by allusion to the regrettable but conspicuous fact that in America there was no leisure class. The two ladies came up to London and alighted at Jones's Hotel, where Mrs. Westgate, who had made on former occasions the most agreeable impression at this establishment, received an obsequious greeting. Bessie Alden had felt much excited about coming to England; she had expected the "associations" would be very charming, that it would be an infinite pleasure to rest her eyes upon

The third excerpt represents the future or something you must embrace, and is drawn from Emma McChesney & Co. by Edna Ferber:

his right, and pumped them up and down vigorously. It was that volatile, voluble person known to the skirt trade as Abel I. Fromkin, of the "Fromkin Form-fit Skirt. It Clings!"

"I'm looking everywhere for you!" he panted. Then, his shrewd little eyes narrowing, "You want to talk business?"

"Not here," said Buck abruptly.

"Sure--here," insisted Fromkin. "Say, that's me. When I got a thing on my mind, I like to settle it. How much you take for the rights to that skirt?"

"Take for it!" exclaimed Emma, in the tone a mother would use to one who has suggested taking a beloved child from her.


Emma McChesney & Co.