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Today's Stichomancy for Natalie Portman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

with the interior of every house and every creature therein, lay open to my view in miniature. We mounted higher, and lo, the secrets of the earth, the depths of mines and inmost caverns of the hills, were bared before me.

Awestruck at the sight of the mysteries of the earth, thus unveiled before my unworthy eye, I said to my Companion, "Behold, I am become as a God. For the wise men in our country say that to see all things, or as they express it, OMNIVIDENCE, is the attribute of God alone." There was something of scorn in the voice of my Teacher as he made answer: "Is it so indeed? Then the very pick-pockets and cut-throats of my country


Flatland: A Romance of Many Dimensions
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

for the elevation of her mind. But the artist saw only the tender little face, a seductive subject for his brush, the body almost as transparent as porcelain, the delicate white neck, and the aristocratically slender form. And he prepared beforehand to triumph, to display the delicacy of his brush, which had hitherto had to deal only with the harsh features of coarse models, and severe antiques and copies of classic masters. He already saw in fancy how this delicate little face would turn out.

"Do you know," said the lady with a positively touching expression of countenance, "I should like her to be painted simply attired, and seated among green shadows, like meadows, with a flock or a grove in


Taras Bulba and Other Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Theaetetus by Plato:

view of ethical philosophy:--1st, Because it is easier to understand and practise; 2ndly, Because it is fatal to the pursuit of ideals, moral, political, or religious; 3rdly, Because it deprives us of the means and instruments of higher thought, of any adequate conception of the mind, of knowledge, of conscience, of moral obligation.

...

ON THE NATURE AND LIMITS Of PSYCHOLOGY.

O gar arche men o me oide, teleute de kai ta metaxu ex ou me oide sumpeplektai, tis mechane ten toiauten omologian pote epistemen genesthai; Plato Republic.

Monon gar auto legeiv, osper gumnon kai aperemomenon apo ton onton apanton,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

In the light of a lamp which hung directly above him, his olive face showed an almost startling resemblance to that of Karamaneh-- save that the girl's coloring was more delicate. He had black, curly hair, which stood out prominently against the white covering upon which he lay, his hands crossed upon his breast.

Transfixed with astonishment, I stood looking down upon him. The wonders of the "Arabian Nights" were wonders no longer, for here, in East-End London, was a true magician's palace, lacking not its beautiful slave lacking not its enchanted prince!

"It is Aziz, my brother," said Karamaneh.

We passed down a stairway on to the floor of the apartment.


The Insidious Dr. Fu-Manchu