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Today's Stichomancy for Natalie Portman

The first excerpt represents the past or something you must release, and is drawn from Theaetetus by Plato:

Method: it has not the necessity of Mathematics: it does not, like Metaphysic, argue from abstract notions or from internal coherence. It is made up of scattered observations. A few of these, though they may sometimes appear to be truisms, are of the greatest value, and free from all doubt. We are conscious of them in ourselves; we observe them working in others; we are assured of them at all times. For example, we are absolutely certain, (a) of the influence exerted by the mind over the body or by the body over the mind: (b) of the power of association, by which the appearance of some person or the occurrence of some event recalls to mind, not always but often, other persons and events: (c) of the effect of habit, which is strongest when least disturbed by reflection, and is to the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Koran:

There! for that ye did rejoice in the land without right; and for that ye did exult; enter ye the gates of hell, to dwell therein for aye; for evil is the resort of those who are too big with pride!

But be thou patient; verily, the promise of God is true; and whether we show thee a part of what we promised them, or whether we surely take thee to ourself, unto us shall they be returned.

And we did send apostles before thee: of them are some whose stories we have related to thee, and of them are some whose stories we have not related to thee; and no apostle might ever bring a sign except by the permission of God; but when God's bidding came it was decided with truth, and there were those lost who deemed it vain!


The Koran
The third excerpt represents the future or something you must embrace, and is drawn from The Chouans by Honore de Balzac:

mademoiselle, permit me to hope that you will not be insensible to my friendship--for that sentiment must content me, must it not?" he added with a conceited air.

"Ah! diviner!" she said, putting on the gay expression a woman assumes when she makes an avowal which compromises neither her dignity nor her secret sentiments.

Then, having slipped on a pelisse, she accompanied him as far as the Nid-aux-Crocs. When they reached the end of the path she said, "Monsieur, be absolutely silent on all this; even to the marquis"; and she laid her finger on both lips.

The count, emboldened by so much kindness, took her hand; she let him


The Chouans