| The first excerpt represents the past or something you must release, and is drawn from This Side of Paradise by F. Scott Fitzgerald: stirs up the poor immigrants."
"Well," said Amory, "if being an idealist is both safe and
lucrative, I might try it."
"What's your difficulty? Lost your job?"
"Not exactly, butwell, call it that."
"What was it?"
"Writing copy for an advertising agency."
"Lots of money in advertising."
Amory smiled discreetly.
"Oh, I'll admit there's money in it eventually. Talent doesn't
starve any more. Even art gets enough to eat these days. Artists
 This Side of Paradise |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Animal Farm by George Orwell: All that year the animals worked like slaves. But they were happy in their
work; they grudged no effort or sacrifice, well aware that everything that
they did was for the benefit of themselves and those of their kind who
would come after them, and not for a pack of idle, thieving human beings.
Throughout the spring and summer they worked a sixty-hour week, and in
August Napoleon announced that there would be work on Sunday afternoons
as well. This work was strictly voluntary, but any animal who absented
himself from it would have his rations reduced by half. Even so, it was
found necessary to leave certain tasks undone. The harvest was a little
less successful than in the previous year, and two fields which should
have been sown with roots in the early summer were not sown because the
 Animal Farm |
The third excerpt represents the future or something you must embrace, and is drawn from The Crowd by Gustave le Bon: Taine justly observes that it was by invoking liberty and
fraternity--words very popular at the time-- that the Jacobins
were able "to install a despotism worthy of Dahomey, a tribunal
similar to that of the Inquisition, and to accomplish human
hecatombs akin to those of ancient Mexico." The art of those who
govern, as is the case with the art of advocates, consists above
all in the science of employing words. One of the greatest
difficulties of this art is, that in one and the same society the
same words most often have very different meanings for the
different social classes, who employ in appearance the same
words, but never speak the same language.
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