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Today's Stichomancy for Natalie Portman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Monster Men by Edgar Rice Burroughs:

had brought to a premature culmination.

Now the four remaining Dyaks were advancing upon the two men. Sing levelled his revolver and fired at the foremost, and at the same instant Professor Maxon, with a shrill, maniacal scream, launched himself full upon a second. Number Thirteen saw the blood spurt from a superficial wound in the shoulder of the fellow who received Sing's bullet, but except for eliciting a howl of rage the missile had no immediate effect. Then Sing pulled the trigger again and again, but the cylinder would not revolve and the hammer fell futilely upon the


The Monster Men
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Story of an African Farm by Olive Schreiner:

"Dear me! I hope you are not hurt, my boy," said Bonaparte. "You'll have many a harder thing than that though, before you've gone through life," he added consolingly, as Waldo picked himself up.

The lean Hottentot laughed till the room rang again; and Tant Sannie tittered till her sides ached.

When he had gone the little maid began to wash Bonaparte's feet.

"Oh, Lord, beloved Lord, how he did fall! I can't think of it," cried Tant Sannie, and she laughed again. "I always did know he was not right; but this evening any one could see it," she added, wiping the tears of mirth from her face. "His eyes are as wild as if the devil was in them. He never was like other children. The dear Lord knows, if he doesn't walk

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

It is not a man's duty, as a matter of course, to devote himself to the eradication of any, even to most enormous, wrong; he may still properly have other concerns to engage him; but it is his duty, at least, to wash his hands of it, and, if he gives it no thought longer, not to give it practically his support. If I devote myself to other pursuits and contemplations, I must first see, at least, that I do not pursue them sitting upon another man's shoulders. I must get off him first, that he may pursue his contemplations too. See what gross inconsistency is tolerated. I have heard some of my townsmen say, "I should like to


On the Duty of Civil Disobedience
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mirror of the Sea by Joseph Conrad:

jumped up too, making the boat roll like the veriest landlubber.

Something startling, mysterious, hastily confused, was taking place. I watched it with incredulous and fascinated awe, as one watches the confused, swift movements of some deed of violence done in the dark. As if at a given signal, the run of the smooth undulations seemed checked suddenly around the brig. By a strange optical delusion the whole sea appeared to rise upon her in one overwhelming heave of its silky surface, where in one spot a smother of foam broke out ferociously. And then the effort subsided. It was all over, and the smooth swell ran on as before from the horizon in uninterrupted cadence of motion, passing under


The Mirror of the Sea