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Today's Stichomancy for Natalie Portman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from McTeague by Frank Norris:

toward her and bury her face in it, delighted at the smell of it and the feel of the smooth, cool metal on her cheeks. She even put the smaller gold pieces in her mouth, and jingled them there. She loved her money with an intensity that she could hardly express. She would plunge her small fingers into the pile with little murmurs of affection, her long, narrow eyes half closed and shining, her breath coming in long sighs.

"Ah, the dear money, the dear money," she would whisper. "I love you so! All mine, every penny of it. No one shall ever, ever get you. How I've worked for you! How I've


McTeague
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Through the Looking-Glass by Lewis Carroll:

that they were running hand in hand, and the Queen went so fast that it was all she could do to keep up with her: and still the Queen kept crying `Faster! Faster!' but Alice felt she COULD NOT go faster, though she had not breath left to say so.

The most curious part of the thing was, that the trees and the other things round them never changed their places at all: however fast they went, they never seemed to pass anything. `I wonder if all the things move along with us?' thought poor puzzled Alice. And the Queen seemed to guess her thoughts, for she cried, `Faster! Don't try to talk!'

Not that Alice had any idea of doing THAT. She felt as if she


Through the Looking-Glass
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Daisy Miller by Henry James:

and we thought of getting him to travel round with us. But Randolph said he didn't want a teacher traveling round with us. He said he wouldn't have lessons when he was in the cars. And we ARE in the cars about half the time. There was an English lady we met in the cars--I think her name was Miss Featherstone; perhaps you know her. She wanted to know why I didn't give Randolph lessons--give him 'instruction,' she called it. I guess he could give me more instruction than I could give him. He's very smart."

"Yes," said Winterbourne; "he seems very smart."

"Mother's going to get a teacher for him as soon as we get to Italy.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Salammbo by Gustave Flaubert:

corpses they cut strips from them with their knives, then squatted upon their heels and ate. The rest looked on from a distance; they uttered cries of horror;--many, nevertheless, being, at the bottom of their souls, jealous of such courage.

In the middle of the night some of these approached, and, dissembling their eagerness, asked for a small mouthful, merely to try, they said. Bolder ones came up; their number increased; there was soon a crowd. But almost all of them let their hands fall on feeling the cold flesh on the edge of their lips; others, on the contrary, devoured it with delight.

That they might be led away by example, they urged one another on


Salammbo