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Today's Stichomancy for Neal Stephenson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Shadow Line by Joseph Conrad:

been, if I may express myself so, put out of gear mentally. But as soon as I had convinced my- self that this stale, unprofitable world of my dis- content contained such a thing as a command to be seized, I recovered my powers of locomo- tion.

It's a good step from the Officers' Home to the Harbour Office; but with the magic word "Com- mand" in my head I found myself suddenly on the quay as if transported there in the twinkling of an eye, before a portal of dressed white stone above


The Shadow Line
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mansion by Henry van Dyke:

every expenditure and effort. The banking-house of which he was the chief, the brain, the will, the absolutely controlling hand, was so admirably organized that the details of its direction took but little time.

But the scores of other interests that radiated from it and were dependent upon it--or perhaps it would be more accurate to say, that contributed to its solidity and success--the many investments, industrial, political, benevolent, reformatory, ecclesiastical, that had made the name of Weightman well known and potent in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catriona by Robert Louis Stevenson:

myself and the girl and hated both of us: her for the vile crew that she was come of, myself for my wanton folly to have stuck my head in such a byke of wasps.

Catriona set her fingers to her lips and whistled once, with an exceeding clear, strong, mounting note, as full as a ploughman's. A while we stood silent; and I was about to ask her to repeat the same, when I heard the sound of some one bursting through the bushes below on the braeside. I pointed in that direction with a smile, and presently Neil leaped into the garden. His eyes burned, and he had a black knife (as they call it on the Highland side) naked in his hand; but, seeing me beside his mistress, stood like a man struck.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Life of the Spider by J. Henri Fabre:

live Cicadae in the receptacle, as well as a few Beetles.

The bite of the Black-bellied Tarantula is therefore dangerous to other animals than insects: it is fatal to the Sparrow, it is fatal to the Mole. Up to what point are we to generalize? I do not know, because my enquiries extended no further. Nevertheless, judging from the little that I saw, it appears to me that the bite of this Spider is not an accident which man can afford to treat lightly. This is all that I have to say to the doctors.

To the philosophical entomologists I have something else to say: I have to call their attention to the consummate knowledge of the insect-killers, which vies with that of the paralyzers. I speak of


The Life of the Spider