| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Ideal Husband by Oscar Wilde: LORD GORING. What do you mean?
MRS. CHEVELEY. [With a bitter note of triumph in her voice.] I mean
that I am going to send Robert Chiltern the love-letter his wife
wrote to you to-night.
LORD GORING. Love-letter?
MRS. CHEVELEY. [Laughing.] 'I want you. I trust you. I am coming
to you. Gertrude.'
[LORD GORING rushes to the bureau and takes up the envelope, finds is
empty, and turns round.]
LORD GORING. You wretched woman, must you always be thieving? Give
me back that letter. I'll take it from you by force. You shall not
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Age of Innocence by Edith Wharton: topics: "Poor Regina! Her Thanksgiving hasn't
been a very cheerful one, I'm afraid. Have you heard
the rumours about Beaufort's speculations, Sillerton?"
Mr. Jackson nodded carelessly. Every one had heard
the rumours in question, and he scorned to confirm a
tale that was already common property.
A gloomy silence fell upon the party. No one really
liked Beaufort, and it was not wholly unpleasant to
think the worst of his private life; but the idea of his
having brought financial dishonour on his wife's family
was too shocking to be enjoyed even by his enemies.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secret Agent by Joseph Conrad: round the body, drag her back into the shop. She could scratch,
kick, and bite - and stab too; but for stabbing she wanted a knife.
Mrs Verloc sat still under her black veil, in her own house, like a
masked and mysterious visitor of impenetrable intentions.
Mr Verloc's magnanimity was not more than human. She had
exasperated him at last.
"Can't you say something? You have your own dodges for vexing a
man. Oh yes! I know your deaf-and-dumb trick. I've seen you at
it before to-day. But just now it won't do. And to begin with,
take this damned thing off. One can't tell whether one is talking
to a dummy or to a live woman."
 The Secret Agent |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Altar of the Dead by Henry James: immediately guessed, as well as that it made a difference; but when
she had for the first time mentioned her number he found himself,
on her leaving him, not a little agitated by this sudden
liberality. She wasn't a person with whom, after all, one got on
so very fast: it had taken him months and months to learn her
name, years and years to learn her address. If she had looked, on
this reunion, so much older to him, how in the world did he look to
her? She had reached the period of life he had long since reached,
when, after separations, the marked clock-face of the friend we
meet announces the hour we have tried to forget. He couldn't have
said what he expected as, at the end of his waiting, he turned the
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