| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe: ear-drops twinkled again. "I shan't dance with you for a whole
evening, if you go to asking me any more questions."
"O, you couldn't be so cruel, now! I was just dying to know
whether you would appear in your pink tarletane," said Adolph.
"What is it?" said Rosa, a bright, piquant little quadroon
who came skipping down stairs at this moment.
"Why, Mr. St. Clare's so impudent!"
"On my honor," said Adolph, "I'll leave it to Miss Rosa now."
"I know he's always a saucy creature," said Rosa, poising
herself on one of her little feet, and looking maliciously at
Adolph. "He's always getting me so angry with him."
 Uncle Tom's Cabin |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sarrasine by Honore de Balzac: meditation as confused as a dream. Passion had dealt him a crushing
blow. On his return to his apartments he was seized by one of those
paroxysms of activity which reveal to us the presence of new
principles in our existence. A prey to that first fever of love which
resembles pain as much as pleasure, he sought to defeat his impatience
and his frenzy by sketching La Zambinella from memory. It was a sort
of material meditation. Upon one leaf La Zambinella appeared in that
pose, apparently calm and cold, affected by Raphael, Georgione, and
all the great painters. On another, she was coyly turning her head as
she finished a roulade, and seemed to be listening to herself.
Sarrasine drew his mistress in all poses: he drew her unveiled,
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