| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Young Forester by Zane Grey: thet bear doin' in here?"
"He was roped up--hyar's the hitch," answered Bud.
"An' hyar's a rifle--Winchester--ain't been used much. Buell, it's thet
kid's!"
I heard rapid footsteps and smothered exclamations.
"Take it from me, you're right!" ejaculated Buell. "We jest missed him.
Herky, them tracks out there? Somebody's with this boy--who?"
"It's Jim Williams," put in Dick Leslie, cool-voiced and threatening.
The little stillness that followed his words was broken by Buell.
"Naw! 'Twasn't Williams. You can't bluff this bunch, Leslie. By your own
words Williams is lookin' for us, an' if he's lookin' for anybody I know
 The Young Forester |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Virginibus Puerisque by Robert Louis Stevenson: enjoyment in a world of moon-shine. Sensation does not count
for so much in our first years as afterwards; something of the
swaddling numbness of infancy clings about us; we see and
touch and hear through a sort of golden mist. Children, for
instance, are able enough to see, but they have no great
faculty for looking; they do not use their eyes for the
pleasure of using them, but for by-ends of their own; and the
things I call to mind seeing most vividly, were not beautiful
in themselves, but merely interesting or enviable to me as I
thought they might be turned to practical account in play.
Nor is the sense of touch so clean and poignant in children as
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