The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ball at Sceaux by Honore de Balzac: can make so prettily when you are not pert--would have set everything
right, even if you had broken his arm."
"But, my dear uncle, it was your horse, not mine, that caused the
accident. I really think you can no longer ride; you are not so good a
horseman as you were last year.--But instead of talking nonsense----"
"Nonsense, by Gad! Is it nothing to be so impertinent to your uncle?"
"Ought we not to go on and inquire if the young man is hurt? He is
limping, uncle, only look!"
"No, he is running; I rated him soundly."
"Oh, yes, uncle; I know you there!"
"Stop," said the Count, pulling Emilie's horse by the bridle, "I do
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gobseck by Honore de Balzac: dark curls escaped from beneath a bright Indian handkerchief, knotted
carelessly about her head after the fashion of Creole women. The bed
lay in disorder that told of broken slumber. A painter would have paid
money to stay a while to see the scene that I saw. Under the luxurious
hanging draperies, the pillow, crushed into the depths of an eider-
down quilt, its lace border standing out in contrast against the
background of blue silk, bore a vague impress that kindled the
imagination. A pair of satin slippers gleamed from the great bear-skin
rug spread by the carved mahogany lions at the bed-foot, where she had
flung them off in her weariness after the ball. A crumpled gown hung
over a chair, the sleeves touching the floor; stockings which a breath
 Gobseck |