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Today's Stichomancy for Nicholas Copernicus

The first excerpt represents the past or something you must release, and is drawn from Roads of Destiny by O. Henry:

capital. Our small arms and provisions were laden on pack mules. Twenty men harnessed to each Gatling gun rolled them smoothly along the flat, alluvial lowlands. Our troops, well-shod and well-fed, moved with alacrity and heartiness. I and my three lieutenants were mounted on the tough mountain ponies of the country.

"A mile out of camp one of the pack mules, becoming stubborn, broke away from the train and plunged from the path into the thicket. The alert Kearny spurred quickly after it and intercepted its flight. Rising in his stirrups, he released one foot and bestowed upon the mutinous animal a hearty kick. The mule tottered and fell with a crash broadside upon the ground. As we gathered around it, it walled its

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Soul of the Far East by Percival Lowell:

the son of his father and heir therefore of the paternal skill? Not that such inherited aptness is recognized scientifically; it is simply taken for granted instinctively. It is but a halfhearted intuition, however, for the possibility of an inheritance from the mother's side is as out of the question as if her severance from her own family had an ex post facto effect. As for his individual predilection in the matter, nature has considerately conformed to custom by giving him none. He becomes a cabinet-maker, for instance, because his ancestors always have been cabinet-makers. He inherits the family business as a necessary part of the family name. He is born to his trade, not naturally selected because of his fitness for it.

The third excerpt represents the future or something you must embrace, and is drawn from The Talisman by Walter Scott:

Poet Laureate also, in the charming tale of "Thalaba," had shown how extensive might be the researches of a person of acquirements and talent, by dint of investigation alone, into the ancient doctrines, history, and manners of the Eastern countries, in which we are probably to look for the cradle of mankind; Moore, in his "Lalla Rookh," had successfully trod the same path; in which, too, Byron, joining ocular experience to extensive reading, had written some of his most attractive poems. In a word, the Eastern themes had been already so successfully handled by those who were acknowledged to be masters of their craft, that I was diffident of making the attempt.