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Today's Stichomancy for Nicholas Copernicus

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Journal of the Plague Year by Daniel Defoe:

as is usual for such people to do at other times, and, indeed, to such an offensive degree that the very master and mistress of the house grew first ashamed and then terrified at them.

They sat generally in a room next the street, and as they always kept late hours, so when the dead-cart came across the street-end to go into Houndsditch, which was in view of the tavern windows, they would frequently open the windows as soon as they heard the bell and look out at them; and as they might often hear sad lamentations of people in the streets or at their windows as the carts went along, they would make their impudent mocks and jeers at them, especially if they heard the poor people call upon God to have mercy upon them, as many


A Journal of the Plague Year
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In the Cage by Henry James:

terrific question of that gentleman. She was tormented with the desire to get out of Mrs. Jordan, on this subject, what she was sure was at the back of Mrs. Jordan's head; and to get it out of her, queerly enough, if only to vent a certain irritation at it. She knew that what her friend would already have risked if she hadn't been timid and tortuous was: "Give him up--yes, give him up: you'll see that with your sure chances you'll be able to do much better."

Our young woman had a sense that if that view could only be put before her with a particular sniff for poor Mr. Mudge she should hate it as much as she morally ought. She was conscious of not, as

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from King Lear by William Shakespeare:

As my great patron thought on in my prayers- Lear. The bow is bent and drawn; make from the shaft. Kent. Let it fall rather, though the fork invade The region of my heart! Be Kent unmannerly When Lear is mad. What wouldst thou do, old man? Think'st thou that duty shall have dread to speak When power to flattery bows? To plainness honour's bound When majesty falls to folly. Reverse thy doom; And in thy best consideration check This hideous rashness. Answer my life my judgment, Thy youngest daughter does not love thee least,


King Lear
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philebus by Plato:

things of the same kind, are not sometimes to be desired and sometimes not to be desired, as being not in themselves good, but only sometimes and in some instances admitting of the nature of good.

PROTARCHUS: You say most truly that this is the track which the investigation should pursue.

SOCRATES: Well, then, assuming that pain ensues on the dissolution, and pleasure on the restoration of the harmony, let us now ask what will be the condition of animated beings who are neither in process of restoration nor of dissolution. And mind what you say: I ask whether any animal who is in that condition can possibly have any feeling of pleasure or pain, great or small?