| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Complete Angler by Izaak Walton: into the air and having ended her heavenly employment, grows then
mute, and sad, to think she must descend to the dull earth, which she
would not touch, but for necessity.
How do the Blackbird and Thrassel with their melodious voices bid
welcome to the cheerful Spring, and in their fixed months warble forth
such ditties as no art or instrument can reach to!
Nay, the smaller birds also do the like in their particular seasons, as
namely the Laverock, the Tit-lark, the little Linnet, and the honest
Robin that loves mankind both alive and dead.
But the Nightingale, another of my airy creatures, breathes such sweet
loud musick out of her little instrumental throat, that it might make
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Unseen World and Other Essays by John Fiske: ether. Some share may also have been contributed by the Platonic
notion of the "grossness" or "bruteness" of tangible matter,--a
notion which has survived in Christian theology, and which
educated men of the present day have by no means universally
outgrown. Save for some such old associations as these, why
should it be supposed that matter becomes "spriritualized" as it
diminishes in apparent substantiality? Why should matter be
pronounced respectable in the inverse ratio of its density or
ponderability? Why is a diamond any more chargeable with
"grossness" than a cubic centimetre of hydrogen? Obviously such
fancies are purely of mythologic parentage. Now the luminiferous
 The Unseen World and Other Essays |