| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wheels of Chance by H. G. Wells: correctly, had severe notions of whom she might meet, went to
church, and even at times took the sacrament in some esoteric
spirit. And Jessie she brought up so carefully that she never
even let her read "A Soul Untrammelled." Which, therefore,
naturally enough, Jessie did, and went on from that to a feast of
advanced literature. Mrs. Milton not only brought up Jessie
carefully, but very slowly, so that at seventeen she was still a
clever schoolgirl (as you have seen her) and quite in the
background of the little literary circle of unimportant
celebrities which 'Thomas Plantagenet' adorned. Mrs. Milton knew
Bechamel's reputation of being a dangerous man; but then bad men
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In the Cage by Henry James: went quite far enough.
But she could none the less, even after a month, scarce have told
if the gentlemen who came in with him recurred or changed; and this
in spite of the fact that they too were always posting and wiring,
smoking in her face and signing or not signing. The gentlemen who
came in with him were nothing when he was there. They turned up
alone at other times--then only perhaps with a dim richness of
reference. He himself, absent as well as present, was all. He was
very tall, very fair, and had, in spite of his thick
preoccupations, a good-humour that was exquisite, particularly as
it so often had the effect of keeping him on. He could have
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Extracts From Adam's Diary by Mark Twain: before, and to me it seemed unbecoming and idiotic. She said I
would soon know how it was myself. This was correct. Hungry as
I was, I laid down the apple half eaten--certainly the best one I
ever saw, considering the lateness of the season--and arrayed
myself in the discarded boughs and branches, and then spoke to her
with some severity and ordered her to go and get some more and not
make such a spectacle of herself. She did it, and after this we
crept down to where the wild-beast battle had been, and collected
some skins, and I made her patch together a couple of suits proper
for public occasions. They are uncomfortable, it is true, but
stylish, and that is the main point about clothes. ... I find
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Patchwork Girl of Oz by L. Frank Baum: Ah wants mah loo-loo, loo-loo, loo-loo, Lu!
Ah loves mah Lulu, mah coal-black Lulu,
There ain't nobody else loves loo-loo, Lu!"
"Here-shut that off!" cried the Shaggy Man,
springing to his feet. "What do you mean by
such impertinence?"
"It's the latest popular song," declared the
phonograph, speaking in a sulky tone of voice.
"A popular song?"
"Yes. One that the feeble-minded can remember
the words of and those ignorant of music can
 The Patchwork Girl of Oz |