| The first excerpt represents the past or something you must release, and is drawn from Pathology of Lying, Etc. by William and Mary Healy: V. CASES OF PATHOLOGICAL LYING IN BORDER-LINE MENTAL TYPES
VI. CONCLUSIONS
INDEX OF AUTHORS
INDEX OF TOPICS
PATHOLOGICAL LYING, ACCUSATION, AND SWINDLING
CHAPTER I
INTRODUCTION
Through comparison of the literature on pathological lying with
our own extensive material we are led to perceive the insistent
necessity for closer definition of the subject than has been
heretofore offered. Reasons for excluding types earlier
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from This Side of Paradise by F. Scott Fitzgerald: ROSALIND: It's so hard to find a male to gratify one's artistic
taste.
(Some one has opened a door and the music of a waltz surges into
the room. ROSALIND rises.)
ROSALIND: Listen! they're playing "Kiss Me Again."
(He looks at her.)
AMORY: Well?
ROSALIND: Well?
AMORY: (Softlythe battle lost) I love you.
ROSALIND: I love younow.
(They kiss.)
This Side of Paradise |
The third excerpt represents the future or something you must embrace, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft: of Ngranek, which overlooks only sheer crags and a valley of sinister
lava. Once the gods were angered with men on that side, and spoke
of the matter to the Other Gods.
It was hard to get this information
from the traders and sailors in Dylath-Leen's sea taverns, because
they mostly preferred to whisper of the black galleys. One of
them was due in a week with rubies from its unknown shore, and
the townsfolk dreaded to see it dock. The mouths of the men who
came from it to trade were too wide, and the way their turbans
were humped up in two points above their foreheads was in especially
bad taste. And their shoes were the shortest and queerest ever
The Dream-Quest of Unknown Kadath |
