| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tanach: 1_Kings 7: 45 and the pots, and the shovels, and the basins; even all these vessels, which Hiram made for king Solomon, in the house of the LORD, were of burnished brass.
1_Kings 7: 46 In the plain of the Jordan did the king cast them, in the clay ground between Succoth and Zarethan.
1_Kings 7: 47 And Solomon left all the vessels unweighed, because they were exceeding many; the weight of the brass could not be found out.
1_Kings 7: 48 And Solomon made all the vessels that were in the house of the LORD: the golden altar, and the table whereupon the showbread was, of gold;
1_Kings 7: 49 and the candlesticks, five on the right side, and five on the left, before the Sanctuary, of pure gold; and the flowers, and the lamps, and the tongs, of gold;
1_Kings 7: 50 and the cups, and the snuffers, and the basins, and the pans, and the fire-pans, of pure gold; and the hinges, both for the doors of the inner house, the most holy place, and for the doors of the house, that is, of the temple, of gold.
1_Kings 7: 51 Thus all the work that king Solomon wrought in the house of the LORD was finished. And Solomon brought in the things which David his father had dedicated, the silver, and the gold, and the vessels, and put them in the treasuries of the house of the LORD.
1_Kings 8: 1 Then Solomon assembled the elders of Israel, and all the heads of the tribes, the princes of the fathers' houses of the children of Israel, unto king Solomon in Jerusalem, to bring up the ark of the covenant of the LORD out of the city of David, which is Zion.
 The Tanach |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierre Grassou by Honore de Balzac: quite passable work. He did as well as any artist of the second class.
Elie bought and sold all the paintings of the poor Breton, who earned
laboriously about two thousand francs a year while he spent but twelve
hundred.
At the Exhibition of 1829, Leon de Lora, Schinner, and Bridau, who all
three occupied a great position and were, in fact, at the head of the
art movement, were filled with pity for the perseverance and the
poverty of their old friend; and they caused to be admitted into the
grand salon of the Exhibition, a picture by Fougeres. This picture,
powerful in interest but derived from Vigneron as to sentiment and
from Dubufe's first manner as to execution, represented a young man in
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Coxon Fund by Henry James: pleasantest thing at Clockborough. On his part, I was sure, this
was the voice not of envy but of experience. The vivid scene was
now peopled, and I could see him in the old-time garden with Miss
Anvoy, who would be certain, and very justly, to think him good-
looking. It would be too much to describe myself as troubled by
this play of surmise; but I occur to remember the relief, singular
enough, of feeling it suddenly brushed away by an annoyance really
much greater; an annoyance the result of its happening to come over
me about that time with a rush that I was simply ashamed of Frank
Saltram. There were limits after all, and my mark at last had been
reached.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bureaucracy by Honore de Balzac: number is winnowed down to either those young men who are foolish or
obstinate enough to say to themselves, "I have been here three years,
and I must end sooner or later by getting a place," or to those who
are conscious of a vocation for the work. Undoubtedly the position of
supernumerary in a government office is precisely what the novitiate
is in a religious order,--a trial. It is a rough trial. The State
discovers how many of them can bear hunger, thirst, and penury without
breaking down, how many can toil without revolting against it; it
learns which temperaments can bear up under the horrible experience--
or if you like, the disease--of government official life. From this
point of view the apprenticeship of the supernumerary, instead of
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