| The first excerpt represents the past or something you must release, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson: that the victim begins to disappear from the New Town
thoroughfares, and takes to the High Street, like a
wounded animal to the woods. And such an one is the type
of the quarter. It also has fallen socially. A
scutcheon over the door somewhat jars in sentiment where
there is a washing at every window. The old man, when I
saw him last, wore the coat in which he had played the
gentleman three years before; and that was just what gave
him so pre-eminent an air of wretchedness.
It is true that the over-population was at least as
dense in the epoch of lords and ladies, and that now-a-
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Middlemarch by George Eliot: with regard to their settlement in life. Young men were often wild
and disappointing, making little return for the money spent on them,
and a girl was exposed to many circumstances which might interfere
with her prospects.
"Especially when she has great attractions, and her parents see
much company," said Mrs. Bulstrode "Gentlemen pay her attention,
and engross her all to themselves, for the mere pleasure of the moment,
and that drives off others. I think it is a heavy responsibility,
Mr. Lydgate, to interfere with the prospects of any girl."
Here Mrs. Bulstrode fixed her eyes on him, with an unmistakable
purpose of warning, if not of rebuke.
 Middlemarch |
The third excerpt represents the future or something you must embrace, and is drawn from The Shadow Line by Joseph Conrad: gretted the occurrence.
But I showed nothing of it as I rose leisurely (it
had to be leisurely) and greeted him with perfect
friendliness.
There was something reluctant and at the same
time attentive in his bearing. His name was
Burns. We left the cabin and went round the ship
together. His face in the full light of day ap-
peared very pale, meagre, even haggard. Some-
how I had a delicacy as to looking too often at him;
his eyes, on the contrary, remained fairly glued on
 The Shadow Line |