| The first excerpt represents the past or something you must release, and is drawn from A Daughter of Eve by Honore de Balzac:
Granville, Vicomte de
The Gondreville Mystery
A Second Home
Farewell (Adieu)
Cesar Birotteau
Scenes from a Courtesan's Life
Cousin Pons
Granville, Comtesse Angelique de
A Second Home
The Thirteen
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ferragus by Honore de Balzac: instead of a lodge, he has a house,--an establishment which is not
quite ministerial, although a vast number of persons come under his
administration, and a good many employees. And this governor of the
dead has a salary, with emoluments, and acts under powers of which
none complain; he plays despot at his ease. His lodge is not a place
of business, though it has departments where the book-keeping of
receipts, expenses, and profits, is carried on. The man is not a
/suisse/, nor a concierge, nor actually a porter. The gate which
admits the dead stands wide open; and though there are monuments and
buildings to be cared for, he is not a care-taker. In short, he is an
indefinable anomaly, an authority which participates in all, and yet
Ferragus |
The third excerpt represents the future or something you must embrace, and is drawn from Essays & Lectures by Oscar Wilde: may without scruple allow it, for myths, like constitutions, grow
gradually, and are not formed in a day. But between a poet's
deliberate creation and historical accuracy there is a wide field
of the mythopoeic faculty.
This Euhemeristic theory was welcomed as an essentially
philosophical and critical method by the unscientific Romans, to
whom it was introduced by the poet Ennius, that pioneer of
cosmopolitan Hellenicism, and it continued to characterise the tone
of ancient thought on the question of the treatment of mythology
till the rise of Christianity, when it was turned by such writers
as Augustine and Minucius Felix into a formidable weapon of attack
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