| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield: table.
"Don't do that, Max," said Elsa, "you get on my nerves. And I've got a
headache to-day; I'm feverish and quite flushed...Don't I look flushed?"
He paused by the window and glanced at her a moment over his shoulder.
"No," he said; "I didn't notice it."
"Oh, you haven't looked at me properly, and I've got a new tea-gown on,
too." She pulled her skirts together and patted a little place on the
couch.
"Come along and sit by me and tell me why you're being naughty."
But, standing by the window, he suddenly flung his arm across his eyes.
"Oh," he said, "I can't. I'm done--I'm spent--I'm smashed."
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Crito by Plato: in other words, a just and honourable life, is alone to be valued. All
considerations of loss of reputation or injury to his children should be
dismissed: the only question is whether he would be right in attempting to
escape. Crito, who is a disinterested person not having the fear of death
before his eyes, shall answer this for him. Before he was condemned they
had often held discussions, in which they agreed that no man should either
do evil, or return evil for evil, or betray the right. Are these
principles to be altered because the circumstances of Socrates are altered?
Crito admits that they remain the same. Then is his escape consistent with
the maintenance of them? To this Crito is unable or unwilling to reply.
Socrates proceeds:--Suppose the Laws of Athens to come and remonstrate with
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