Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Nikola Tesla

The first excerpt represents the past or something you must release, and is drawn from The Life of the Spider by J. Henri Fabre:

the series.

First, a few threads are flung out, hither and thither, to keep the layer of wadding in position. The Epeira takes special pains with the edge of the neck, where she fashions an indented border, the angles of which, prolonged with cords or lines, form the main support of the building. The spinnerets never touch this part without giving it, each time, until the end of the work, a certain added solidity, necessary to secure the stability of the balloon. The suspensory indentations soon outline a crater which needs plugging. The Spider closes the bag with a padded stopper similar to that with which she sealed the egg-pocket.


The Life of the Spider
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

"Seven hundred and fifty thousand francs," said Jacques Collin blandly.

The three convicts looked at each other and withdrew from the group that had gathered round the sham priest.

"He screwed the moll's place himself!" said Fil-de-Soie in a whisper to le Biffon, "and they want to put us in a blue funk for our cartwheels" (thunes de balles, five-franc pieces).

"He will always be the boss of the swells," replied la Pouraille. "Our pieces are safe enough."

La Pouraille, wishing to find some man he could trust, had an interest in considering Jacques Collin an honest man. And in prison, of all

The third excerpt represents the future or something you must embrace, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

distance, had suddenly come screaming toward them, crying that a terrible white and naked warrior was pursuing him. The three of them had hurried toward the village as rapidly as their legs would carry them.

Again Mirando's shrill cry of mortal terror had caused them to look back, and there they had seen the most horrible sight--their companion's body flying upwards into the trees, his arms and legs beating the air and his tongue protruding from his open mouth. No other sound did he utter nor was there any creature in sight about him.

The villagers were worked up into a state of fear bordering


Tarzan of the Apes