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Today's Stichomancy for Nikola Tesla

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The House of Dust by Conrad Aiken:

indebted to Lafcadio Hearn for the episode called "The Screen Maiden" in Part II.

THE HOUSE OF DUST

PART I.

I.

The sun goes down in a cold pale flare of light. The trees grow dark: the shadows lean to the east: And lights wink out through the windows, one by one. A clamor of frosty sirens mourns at the night. Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Blue Flower by Henry van Dyke:

River of Meadows, which flows from the great lake; and the River of the Way Out, which runs down from their meeting-place to the settlements and the little world. But in winter, when the ice is firm under the snow, and the going is fine, there are no tracks upon the three broad roads except the paths of the caribou, and the footprints of the marten and the mink and the fox, and the narrow trails made by Luke Dubois on his way to and from his cabin by the rivers.

He leaned in the door-way, looking out. Behind him in the shadow, the fire was still snapping in the little stove where he had cooked his breakfast. There was a comforting smell of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Three Musketeers by Alexandre Dumas:

The clerks, who, as it appeared, had smelled unusual perfumes in the house, were of military punctuality, and held their stools in hand quite ready to sit down. Their jaws moved preliminarily with fearful threatenings.

"Indeed!" thought Porthos, casting a glance at the three hungry clerks-for the errand boy, as might be expected, was not admitted to the honors of the magisterial table. "in my cousin's place, I would not keep such gourmands! They look like shipwrecked sailors who have not eaten for six weeks."

M. Coquenard entered, pushed along upon his armchair with casters by Mme. Coquenard, whom Porthos assisted in rolling


The Three Musketeers
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Finished by H. Rider Haggard:

"Don't talk rubbish before luncheon," I remarked sternly, and we all laughed, the first wholesome laughter that I had heard at the Temple. For this young lady seemed to bring happiness and merriment with her. I remember wondering what it was of which her coming reminded me, and concluding that it was like the sight and smell of a peach orchard in full bloom stumbled on suddenly in the black desert of the burnt winter veld.

After this we became quite friendly. She dilated on her skill in having produced the Temple from an old engraving, which she fetched and showed to us, at no greater an expense than it would have cost to build an ordinary house.