| The first excerpt represents the past or something you must release, and is drawn from New Arabian Nights by Robert Louis Stevenson: this there was no word of an Italian, nor any sign of mystery.
In the very last paper, however, there was one item not so clear.
The accountants who were charged to verify the failure had, it
seemed, come upon the traces of a very large number of thousands,
which figured for some time in the transactions of the house of
Huddlestone; but which came from nowhere, and disappeared in the
same mysterious fashion. It was only once referred to by name, and
then under the initials "X. X."; but it had plainly been floated
for the first time into the business at a period of great
depression some six years ago. The name of a distinguished Royal
personage had been mentioned by rumour in connection with this sum.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn: made a canvas bonnet to shield her head and face. Never had she
been allowed to play so much in the sun before; and it seemed to
do her good, though her little bare feet and hands became brown
as copper. At first, it must be confessed, she worried her
foster-mother a great deal by various queer misfortunes and
extraordinary freaks;--getting bitten by crabs, falling into the
bayou while in pursuit of "fiddlers," or losing herself at the
conclusion of desperate efforts to run races at night with the
moon, or to walk to the "end of the world." If she could only
once get to the edge of the sky, she said, she "could climb up."
She wanted to see the stars, which were the souls of good little
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The third excerpt represents the future or something you must embrace, and is drawn from Treasure Island by Robert Louis Stevenson:
 Treasure Island |