| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kwaidan by Lafcadio Hearn: approached Akinosuke, bowed to him profoundly, and then said:--
"Honored Sir, you see before you a kerai [vassal] of the Kokuo of Tokoyo.
[1] My master, the King, commands me to greet you in his august name, and
to place myself wholly at your disposal. He also bids me inform you that he
augustly desires your presence at the palace. Be therefore pleased
immediately to enter this honorable carriage, which he has sent for your
conveyance."
Upon hearing these words Akinosuke wanted to make some fitting reply; but
he was too much astonished and embarrassed for speech;-- and in the same
moment his will seemed to melt away from him, so that he could only do as
the kerai bade him. He entered the carriage; the kerai took a place beside
Kwaidan |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Juana by Honore de Balzac: questionable, brought him great troubles. Perhaps there is useful
instruction to be derived from the almost imperceptible connection of
acts which led to the finale of this history.
In the first place, the sneerers of Paris did not see without
malicious smiles and words the pictures with which the former
quartermaster adorned his handsome mansion. Works of art purchased the
night before were said to be spoils from Spain; and this accusation
was the revenge of those who were jealous of his present fortune.
Juana comprehended this reproach, and by her advice Diard sent back to
Tarragona all the pictures he had brought from there. But the public,
determined to see things in the worst light, only said, "That Diard is
|
