|
The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from Pierre Grassou by Honore de Balzac: porcelain, were covered with a sort of mist; they looked like old
daubs. Magus was out, and Pierre could obtain no information on this
phenomenon. He fancied something was wrong with his eyes.
The painter went back to his studio and made more pictures. After
seven years of continued toil Fougeres managed to compose and execute
quite passable work. He did as well as any artist of the second class.
Elie bought and sold all the paintings of the poor Breton, who earned
laboriously about two thousand francs a year while he spent but twelve
hundred.
At the Exhibition of 1829, Leon de Lora, Schinner, and Bridau, who all
three occupied a great position and were, in fact, at the head of the
|