| The first excerpt represents the past or something you must release, and is drawn from Little Women by Louisa May Alcott: to happen in an unusually rapid and delightful manner. Almost
before she knew where she was, Jo found herself married and settled
at Plumfield. Then a family of six or seven boys sprung up
like mushrooms, and flourished surprisingly, poor boys as well as
rich, for Mr. Laurence was continually finding some touching case
of destitution, and begging the Bhaers to take pity on the child,
and he would gladly pay a trifle for its support. In this way,
the sly old gentleman got round proud Jo, and furnished her with
the style of boy in which she most delighted.
Of course it was uphill work at first, and Jo made queer
mistakes, but the wise Professor steered her safely into calmer
 Little Women |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Iliad by Homer: to any man, for his own son, and Meriones brother in arms to
Idomeneus, are captains over them. It was to them more
particularly that we gave this charge."
Menelaus replied, "How do I take your meaning? Am I to stay with
them and wait your coming, or shall I return here as soon as I
have given your orders?" "Wait," answered King Agamemnon, "for
there are so many paths about the camp that we might miss one
another. Call every man on your way, and bid him be stirring;
name him by his lineage and by his father's name, give each all
titular observance, and stand not too much upon your own dignity;
we must take our full share of toil, for at our birth Jove laid
 The Iliad |
The third excerpt represents the future or something you must embrace, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs: Bradley shook his head. "I cannot, little Co-Tan," he answered.
"My country needs me, and I must go back. Maybe someday I
shall return. You will not forget me, Co-Tan?"
She looked at him in wide-eyed wonder. "You are going away from
me?" she asked in a very small voice. "You are going away from Co-Tan?"
Bradley looked down upon the little bowed head. He felt the soft
cheek against his bare arm; and he felt something else there too--
hot drops of moisture that ran down to his very finger-tips and
splashed, but each one wrung from a woman's heart.
He bent low and raised the tear-stained face to his own.
"No, Co-Tan," he said, "I am not going away from you--for you
 Out of Time's Abyss |