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Today's Stichomancy for Oprah Winfrey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Europeans by Henry James:

he walked away, suddenly, with his hands in his pockets, and then came back and leaned against his column. Eugenia was now complimenting her uncle upon his daughter's engagement, and Mr. Wentworth was listening with his usual plain yet refined politeness. It is to be supposed that by this time his perception of the mutual relations of the young people who surrounded him had become more acute; but he still took the matter very seriously, and he was not at all exhilarated.

"Felix will make her a good husband," said Eugenia. "He will be a charming companion; he has a great quality-- indestructible gayety."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Manon Lescaut by Abbe Prevost:

and that she handed him a letter, which he took with a transport of joy. He had only time to express his delight by kissing the billet-doux, for she was out of sight in an instant. But she appeared in unusually high spirits the remainder of the day; and even after her return to our lodgings, her gaiety continued. I trembled at every word.

"`Are you perfectly sure,' said I, in an agony of fear, to my servant, `that your eyes have not deceived you?' He called Heaven to witness the truth of what he had told me.

"I know not to what excess the torments of my mind would have driven me, if Manon, who heard me come in, had not met me with an

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

And from Carmen she learned the fables and the sayings of the sea,--the proverbs about its deafness, its avarice, its treachery, its terrific power,--especially one that haunted her for all time thereafter: Si quieres aprender a orar, entra en el mar (If thou wouldst learn to pray, go to the sea). She learned why the sea is salt,--how "the tears of women made the waves of the sea,"--and how the sea has ii no friends,"--and how the cat's eyes change with the tides.

What had she lost of life by her swift translation from the dusty existence of cities to the open immensity of nature's freedom? What did she gain?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

of the king" upon the face of this strange spokesman of democracy, adds yet another feature of justice to the scene; in all time, travesty has been the argument of oppression; and, in all time, the oppressed might have made this answer: "If I am vile, is it not your system that has made me so?" This ghastly laughter gives occasion, moreover, for the one strain of tenderness running through the web of this unpleasant story: the love of the blind girl Dea, for the monster. It is a most benignant providence that thus harmoniously brings together these two misfortunes; it is one of those compensations, one of those afterthoughts of a