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Today's Stichomancy for Orson Welles

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

fifty wounds upon the public place.

'Tis a wild night's work, with its accompaniment of psalms; and it seems as if a psalm must always have a sound of threatening in that town upon the Tarn. But the story does not end, even so far as concerns Pont de Montvert, with the departure of the Camisards. The career of Seguier was brief and bloody. Two more priests and a whole family at Ladeveze, from the father to the servants, fell by his hand or by his orders; and yet he was but a day or two at large, and restrained all the time by the presence of the soldiery. Taken at length by a famous soldier of fortune, Captain Poul, he appeared unmoved before his judges.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Jude the Obscure by Thomas Hardy:

"When did I promise anything?" asked he, whom she had made so tipsy by her special knowledge of that line of business as almost to have made him sober again--or to seem so to those who did not know him.

"Why!" said Arabella, affecting dismay. "You've promised to marry me several times as we've sat here to-night. These gentlemen have heard you."

"I don't remember it," said Jude doggedly. "There's only one woman-- but I won't mention her in this Capharnaum!"

Arabella looked towards her father. "Now, Mr. Fawley be honourable," said Donn. "You and my daughter have been living here together these three or four days, quite on the understanding that you were going to marry her. Of course I shouldn't have had such goings on in my house if I hadn't


Jude the Obscure
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

guard of Convicts, they secured the attendance of a large number of reactionary Women.

Amidst an unprecedented concourse, the Chief Circle of those days -- by name Pantocyclus -- arose to find himself hissed and hooted by a hundred and twenty thousand Isosceles. But he secured silence by declaring that henceforth the Circles would enter on a policy of Concession; yielding to the wishes of the majority, they would accept the Colour Bill. The uproar being at once converted to applause, he invited Chromatistes, the leader of the Sedition, into the centre of the hall, to receive in the name of his followers the submission of the Hierarchy. Then followed a speech,


Flatland: A Romance of Many Dimensions
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

of speaking, but neither of them had ventured so far as yet. The silent young man went off to the further end of the library, on the side at right angles to the Place de la Sorbonne, and Lucien had no opportunity of making his acquaintance, although he felt drawn to a worker whom he knew by indescribable tokens for a character of no common order. Both, as they came to know afterwards, were unsophisticated and shy, given to fears which cause a pleasurable emotion to solitary creatures. Perhaps they never would have been brought into communication if they had not come across each other that day of Lucien's disaster; for as Lucien turned into the Rue des Gres, he saw the student coming away from the Bibliotheque Sainte-Genevieve.