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Today's Stichomancy for Orson Welles

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from New Poems by Robert Louis Stevenson:

To meet me there.

Kindly by them they gart me sit, An' blythe was I to bide a bit. Licht as o' some hame fireside lit My life for me. - Ower early maun I rise an' quit This happy lee.

TO MADAME GARSCHINE

WHAT is the face, the fairest face, till Care, Till Care the graver - Care with cunning hand, Etches content thereon and makes it fair,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Breaking Point by Mary Roberts Rinehart:

hard-working, care-free days in the army. It had brought back, too, the things he had put behind him, his profession and his joy in it, the struggles and the aspirations that constitute a man's life. With them there came, too, a more real Elizabeth, and a wave of tenderness for her, and of regret. He turned on his sagging bed, and deliberately put her away from him. Even if this other ghost were laid, he had no right to her

Then, one day, he met Mrs. Sayre, and saw that she knew him.

XXXVII

Wallie stared at his mother. His mind was at once protesting the fact and accepting it, with its consequences to himself. There


The Breaking Point
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Devil's Dictionary by Ambrose Bierce:

embracing an opportunity has formed an unfortunate attachment.

FEMALE, n. One of the opposing, or unfair, sex.

The Maker, at Creation's birth, With living things had stocked the earth. From elephants to bats and snails, They all were good, for all were males. But when the Devil came and saw He said: "By Thine eternal law Of growth, maturity, decay, These all must quickly pass away And leave untenanted the earth


The Devil's Dictionary
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Songs of Travel by Robert Louis Stevenson:

And the night has come, and planets glinted, Lo, the valley hollow Lamp-bestarred!

O to dream, O to awake and wander There, and with delight to take and render, Through the trance of silence, Quiet breath; Lo! for there, among the flowers and grasses, Only the mightier movement sounds and passes; Only winds and rivers, Life and death.