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Today's Stichomancy for Orson Welles

The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

seated in the unfriendly reception room, with its straight-backed chairs placed stonily against the walls, beneath rows of red and blue and yellow religious pictures.

Just as I was wondering why it seemed impossible to be holy and cheerful at the same time, there came a pad-padding down the corridor. The next moment the matron stood in the doorway. She was a mountainous, red-faced woman, with warts on her nose.

"Good-afternoon," I said, sweetly. ("Ugh! What a brute!") I thought. Then I began to explain my errand