Today's Stichomancy for Oscar Wilde
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Marie by H. Rider Haggard: as it proved in the end, in most cases murdered or orphaned!
The mystery was too great--great enough to throw off its balance the
mind of a young man who had witnessed such a fearsome scene as I have
described.
For some days really I think that my reason hung just upon the edge of
that mental precipice. In the end, however, reflection and education,
of which I had a certain amount, thanks to my father, came to my aid. I
recalled that such massacres, often on an infinitely larger scale, had
happened a thousand times in history, and that still through them,
often, indeed, by means of them, civilisation has marched forward, and
mercy and peace have kissed each other over the bloody graves of the
 Marie |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Democracy In America, Volume 1 by Alexis de Toqueville: republic, the executive power retains the titles, the honors, the
etiquette, and even the funds of royalty long after its authority
has disappeared. The English, after having cut off the head of
one king and expelled another from his throne, were accustomed to
accost the successor of those princes upon their knees. On the
other hand, when a republic falls under the sway of a single
individual, the demeanor of the sovereign is simple and
unpretending, as if his authority was not yet paramount. When
the emperors exercised an unlimited control over the fortunes and
the lives of their fellow-citizens, it was customary to call them
Caesar in conversation, and they were in the habit of supping
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Paz by Honore de Balzac: "Is she handsome?"
"To my thinking," said Paz, in a melancholy tone. "Malaga (that's her
stage name) is strong, active, and supple. Why do I prefer her to all
other women in the world?--well, I can't tell you. When I look at her,
with her black hair tied with a blue satin ribbon, floating on her
bare and olive-colored shoulders, and when she is dressed in a white
tunic with a gold edge, and a knitted silk bodice that makes her look
like a living Greek statue, and when I see her carrying those flags in
her hand to the sound of martial music, and jumping through the paper
hoops which tear as she goes through, and lighting so gracefully on
the galloping horse to such applause,--no hired clapping,--well, all
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]: thing left for me to love. I am done with Betsy and Doctor, and now I'm done
with Black-and-white. I wonder if Mamma can make it seem any better," and then
she turned her steps to the house in search of comfort, but she had gone only
half-way when the coachman, who was waiting at the door with the little grey
mare and the phaeton, motioned to her to come quietly. Tattine saw at a glance
what had happened, and sped swiftly back to Patrick. "Keep Black-and-white up
the tree," she said, in a breathless whisper; "don't let her go near the nest,
and don't let her come down for the world. The little Phoebe-birds have lit."
"All right, miss," not at all understanding the situation, but more than
willing to obey orders. Tattine was in such haste to get back to the house
that she hardly heard his answer. What she had tried to tell him was that the
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