| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from She Stoops to Conquer by Oliver Goldsmith: were pleased to take me for (courtseying); she that you addressed as
the mild, modest, sentimental man of gravity, and the bold, forward,
agreeable Rattle of the Ladies' Club. Ha! ha! ha!
MARLOW. Zounds! there's no bearing this; it's worse than death!
MISS HARDCASTLE. In which of your characters, sir, will you give us
leave to address you? As the faltering gentleman, with looks on the
ground, that speaks just to be heard, and hates hypocrisy; or the loud
confident creature, that keeps it up with Mrs. Mantrap, and old Miss
Biddy Buckskin, till three in the morning? Ha! ha! ha!
MARLOW. O, curse on my noisy head. I never attempted to be impudent
yet, that I was not taken down. I must be gone.
 She Stoops to Conquer |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dream Life and Real Life by Olive Schreiner: willow trees, drooping their branches into the water; and the moonlight was
over all. Up, against the night sky the pointed leaves of the kippersol
trees were clearly marked, and the rocks and the willow trees cast dark
shadows.
In her sleep she shivered, and half awoke.
"Ah, I am not there, I am here," she said; and she crept closer to the
rock, and kissed it, and went to sleep again.
It must have been about three o'clock, for the moon had begun to sink
towards the western sky, when she woke, with a violent start. She sat up,
and pressed her hand against her heart.
"What can it be? A cony must surely have run across my feet and frightened
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Voyage of the Beagle by Charles Darwin: split into a thousand shreds. From our position, almost
suspended on the mountain side, there were glimpses into the
depths of the neighbouring valleys; and the lofty points of
the central mountains, towering up within sixty degrees of
the zenith, hid half the evening sky. Thus seated, it was
a sublime spectacle to watch the shades of night gradually
obscuring the last and highest pinnacles.
Before we laid ourselves down to sleep, the elder Tahitian
fell on his knees, and with closed eyes repeated a long
prayer in his native tongue. He prayed as a Christian should
do, with fitting reverence, and without the fear of ridicule
 The Voyage of the Beagle |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Frankenstein by Mary Shelley: and presently retired to his cabin.
Even broken in spirit as he is, no one can feel more deeply than
he does the beauties of nature. The starry sky, the sea, and every
sight afforded by these wonderful regions seem still to have the
power of elevating his soul from earth. Such a man has a double
existence: he may suffer misery and be overwhelmed by disappointments,
yet when he has retired into himself, he will be like a celestial spirit
that has a halo around him, within whose circle no grief or folly ventures.
Will you smile at the enthusiasm I express concerning this divine
wanderer? You would not if you saw him. You have been tutored and
refined by books and retirement from the world, and you are
 Frankenstein |