| The first excerpt represents the past or something you must release, and is drawn from My Antonia by Willa Cather: and stockings), linen of dazzling whiteness, glittering glass,
silver dishes, a great bowl of fruit, and the reddest of roses.
The room was invaded by beautiful women and dashing young men,
laughing and talking together. The men were dressed more or less
after the period in which the play was written; the women were not.
I saw no inconsistency. Their talk seemed to open to one
the brilliant world in which they lived; every sentence made
one older and wiser, every pleasantry enlarged one's horizon.
One could experience excess and satiety without the inconvenience
of learning what to do with one's hands in a drawing-room!
When the characters all spoke at once and I missed some
 My Antonia |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Flower Fables by Louisa May Alcott: the garments from her, and then with Bud went forth to Fairy-Land,
and stood with beating hearts before the gates; where crowds of Fairy
friends came forth to welcome them.
But when Queen Dew-Drop touched them with her wand, as they passed in,
the light faded from their crowns, their robes became like withered
leaves, and their wands were powerless.
Amid the tears of all the Fairies, the Queen led them to the gates,
and said,--
"Farewell! It is not in my power to aid you; innocence and love are
not within your hearts, and were it not for this untiring little
maiden, who has toiled while you have wept, you never would have
 Flower Fables |
The third excerpt represents the future or something you must embrace, and is drawn from McTeague by Frank Norris: see his face at the moment!
For a whole hour the dentist sat there in his little
"Parlor," gazing ecstatically at his treasure, dazzled,
supremely content. The whole room took on a different
aspect because of it. The stone pug dog before the little
stove reflected it in his protruding eyes; the canary woke
and chittered feebly at this new gilt, so much brighter than
the bars of its little prison. Lorenzo de' Medici, in the
steel engraving, sitting in the heart of his court, seemed
to ogle the thing out of the corner of one eye, while the
brilliant colors of the unused rifle manufacturer's calendar
 McTeague |