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Today's Stichomancy for Pablo Picasso

The first excerpt represents the past or something you must release, and is drawn from Fables by Robert Louis Stevenson:

he examined him from head to foot. "No," he cried with great relief, "there is not a flake broken. Cheer up, my young friend, your paint is as good as new."

"Good God!" cried the young man, "and what then can be the use of it?"

"Why," said the physician, "I perceive I must explain to you the nature of the action of my paint. It does not exactly prevent sin; it extenuates instead the painful consequences. It is not so much for this world, as for the next; it is not against life; in short, it is against death that I have fitted you out. And when you come to die, you will give me news of my paint."

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

that royal humourist, whom "the rogue had taken into his confidence." And again, here was Ronalds on the spot. He must know the day of the month as well as Hanson and I. If a broad hint were necessary, he had the broadest in the world. For a large board had been nailed by the crown prince on the very front of our house, between the door and window, painted in cinnabar - the pigment of the country - with doggrel rhymes and contumelious pictures, and announcing, in terms unnecessarily figurative, that the trick was already played, the claim already jumped, and Master Sam the legitimate successor of Mr. Ronalds. But no, nothing could save that

The third excerpt represents the future or something you must embrace, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

He was talking loudly and gesticulating wildly. I was close enough to hear his words, which were similar to the language of Ahm, though much fuller, for there were many words I could not understand. However I caught the gist of what he was saying--which in effect was that he had found and captured this Galu, that she was his and that he defied anyone to question his right of possession. It appeared to me, as I afterward learned was the fact, that I was witnessing the most primitive of marriage ceremonies. The assembled members of the tribe looked on and listened in a sort of dull and perfunctory apathy, for the speaker was by far the mightiest of the clan.

There seemed no one to dispute his claims when he said, or rather


The Land that Time Forgot