Today's Stichomancy for Pamela Colman Smith

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War of the Worlds by H. G. Wells:

steam, mud, and shattered metal shot far up into the sky. As the camera of the Heat-Ray hit the water, the latter had immediately flashed into steam. In another moment a huge wave, like a muddy tidal bore but almost scaldingly hot, came sweeping round the bend upstream. I saw people struggling shorewards, and heard their screaming and shouting faintly above the seething and roar of the Martian's collapse.

For a moment I heeded nothing of the heat, forgot the patent need of self-preservation. I splashed through the tu- multuous water, pushing aside a man in black to do so, until I could see round the bend. Half a dozen deserted boats

War of the Worlds

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lysis by Plato:

will remain?

Clearly they will.

And must not a man love that which he desires and affects?

He must.

Then, even if evil perishes, there may still remain some elements of love or friendship?

Yes.

But not if evil is the cause of friendship: for in that case nothing will be the friend of any other thing after the destruction of evil; for the effect cannot remain when the cause is destroyed.

True.

Lysis

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

disadvantages for her, he would be acting as unscrupulously as any tract writer. If society chooses to provide for its Irises better than for its working women, it must not expect honest playwrights to manufacture spurious evidence to save its credit. The mischief lies in the deliberate suppression of the other side of the case: the refusal to allow Mrs Warren to expose the drudgery and repulsiveness of plying for hire among coarse, tedious drunkards; the determination not to let the Parisian girl in Brieux's Les Avaries come on the stage and drive into people's minds what her diseases mean for her and for themselves. All that, says the King's Reader in effect, is horrifying, loathsome.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Prince of Bohemia by Honore de Balzac:

Mme. de la Baudraye's story.

"I do not believe in catastrophes. One has to invent such good ones to show that art is quite a match for chance; and nobody reads a book twice, my friend, except for the details."

"But there is a catastrophe," persisted Nathan.

"What is it?"

"The Marquise de Rochefide is infatuated with Charles Edward. My story excited her curiosity."

"Oh, unhappy woman!" cried Mme. de la Baudraye.

"Not so unhappy," said Nathan, "for Maxime de Trailles and La Palferine have brought about a rupture between the Marquis and Mme.