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Today's Stichomancy for Pancho Villa

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The New Machiavelli by H. G. Wells:

an ancient trunk. Then I conquered them and garrisoned their land. (Alas! they died, no doubt through contact with civilisation--one my mother trod on--and their land became a wilderness again and was ravaged for a time by a clockwork crocodile of vast proportions.) And out towards the coal-scuttle was a region near the impassable thickets of the ragged hearthrug where lived certain china Zulus brandishing spears, and a mountain country of rudely piled bricks concealing the most devious and enchanting caves and several mines of gold and silver paper. Among these rocks a number of survivors from a Noah's Ark made a various, dangerous, albeit frequently invalid and crippled fauna, and I was wont to increase the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moll Flanders by Daniel Defoe:

I took this opportunity to satisfy my curiosity, pretending that I had been robbed in the Dunstable coach, and that I would go to see the two highwaymen. But when I came into the press-yard, I so disguised myself, and muffled my face up so, that he could see little of me, and consequently knew nothing of who I was; and when I came back, I said publicly that I knew them very well.

Immediately it was rumoured all over the prison that Moll Flanders would turn evidence against one of the highwaymen, and that I was to come off by it from the sentence of transportation.

They heard of it, and immediately my husband desired to see this Mrs. Flanders that knew him so well, and was to be an


Moll Flanders
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Babbitt by Sinclair Lewis:

family) were "different" and "mysterious." Yet he had known by instinct that Louetta Swanson could be approached. Her eyes and lips were moist. Her face tapered from a broad forehead to a pointed chin, her mouth was thin but strong and avid, and between her brows were two outcurving and passionate wrinkles. She was thirty, perhaps, or younger. Gossip had never touched her, but every man naturally and instantly rose to flirtatiousness when he spoke to her, and every woman watched her with stilled blankness.

Between games, sitting on the davenport, Babbitt spoke to her with the requisite gallantry, that sonorous Floral Heights gallantry which is not flirtation but a terrified flight from it: "You're looking like a new soda-fountain to night, Louetta."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Melmoth Reconciled by Honore de Balzac:

insight that could read the inmost thoughts of others, could apprehend at a glance the nature of any material object, just as he caught as it were all flavors at once upon his tongue. He took his pleasure like a despot; a blow of the axe felled the tree that he might eat its fruits. The transitions, the alternations that measure joy and pain, and diversify human happiness, no longer existed for him. He had so completely glutted his appetites that pleasure must overpass the limits of pleasure to tickle a palate cloyed with satiety, and suddenly grown fastidious beyond all measure, so that ordinary pleasures became distasteful. Conscious that at will he was the master of all the women that he could desire, knowing that his power was